directness. But whether it wonât be rather frightful when theyâre older is another question. But then almost everything is rather frightful when people are older.â
âThank you,â said Dodo. âAnd what about you?â
âOh, an old satyr,â he answered with that quick, brilliantly mysterious smile of his. âA superannuated faun. I know it; only too well. But at the same time, most intolerably, a Higher Person. Which is what draws the spiritual vamps. Even the youngest ones. Not to talk to me about the Divine Mind, of course, or their views about Social Reform. But about themselves. Their Individualities, their Souls, their Inhibitions, their Unconsciouses, their Pasts, their Futures. For them, the Higher Things are all frankly and nakedly personal. And the function of the Higher Person is to act as a sort of psychoanalytical father confessor. He exists to tell them all about their strange and wonderful psyches. And meanwhile, of course, his friendship inflates their egotism. And if there should be any question of love, what a personal triumph!â
âWhich is all very well,â objected Dodo. âBut what about the old satyr? Wouldnât it also be a bit of a triumph for him? You know, Miles,â she added gravely, âit would really be scandalous if you were to take advantage. . . .â
âBut I havenât the slightest intention of taking any advantages. If only for my own sake. Besides, the child is too ingenuously absurd. The most hair-raising theoretical knowledge of life, out of books. You should hear her prattling away about inverts and perverts and birth controlâbut prattling from unplumbed depths of innocence and practical ignorance. Very queer. And touching too. Much more touching than the old-fashioned innocences of the young creatures who thought babies were brought by storks. Knowing all about love and lust, but in the same way as one knows all about quadratic equations. And her knowledge of the other aspects of life is really of the same kind. What sheâs seen of the world sheâs seen in her motherâs company. The worst guide imaginable, to judge from the childâs account. (Dead now, incidentally.) The sort of woman who could never live on top gear, so to speakâonly at one or two imaginative removes from the facts. So that, in her company, what was nominally real life became actually just literatureâyet more literature. Bad, inadequate Balzac in flesh and blood instead of genuine, good Balzac out of a set of nice green volumes. The child realizes it herself. Obscurely, of course; but distressfully. Itâs one of the reasons why sheâs applied to me: she hopes I can explain whatâs wrong. And correct it in practice. Which I wonât do in any drastic manner, I promise you. Only mildly, by preceptâthat is, if Iâm not too bored to do it at all.â
âWhatâs the childâs name?â Dodo asked.
âPamela Tarn.â
âTarn? But was her mother by any chance Clare Tarn?â
He nodded. âThat was it. She even made her daughter call her by her christian name. The companion stunt.â
âBut I used to know Clare Tarn quite well,â said Dodo in an astonished, feeling voice. âThese last years Iâd hardly seen her. But when I was more in London just after the War . . .â
âBut this begins to be interesting,â said Fanning. âNew light on my little friend. . . .â
âWhom I absolutely forbid you,â said Dodo emphatically, âto . . .â
âTamper with the honour of,â he suggested. âLetâs phrase it as nobly as possible.â
âNo, seriously, Miles. I really wonât have it. Poor Clare Tarnâs daughter. If I didnât have to rush off to-morrow Iâd ask her to come and see me, so as to warn her.â
Fanning laughed. âShe wouldnât thank you. And besides if any one is to be
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