had marked the paper, but that sense of damaged antiquity only added to the medieval allure of the artefact. She had made drawings, copying them from other sources. The first few were crude and childlike, but within a few pages her figures had the precision and confidence of Victorian naturalists’ sketches. They were painstakingly crosshatched and annotated, with the text crawling around them. There were drawings of scuttler artefacts, of course, with notes on function and origin, but there were also many pictures of the scuttlers themselves, their anatomies and postures reconstructed from the fossil evidence.
She flicked on through the book, through years of her life. The text grew smaller, more difficult to read. The coloured inks were used increasingly sparingly until, in the last few chapters, the writing and figures were worked in almost unrelieved black. The same neatness was there, the same methodical care applied to both text and figurework, but now it appeared to be the work of a scholar rather than an enthusiastic, gifted child. The notes and drawings were no longer recycled from other sources, but were now part of an argument she herself was advancing, independent of external thinking. The difference between the start and the end of the written parts of the book was shockingly obvious to Rashmika, a reminder of the distance she had travelled. There had been many times when she had been so embarrassed by her earlier efforts that she had wanted to discard the book and start another. But paper was expensive on Hela, and the book had been a gift from Harbin.
She fingered the unmarked pages. Her argument was not yet completed, but she could already see the trajectory it would take. She could almost see the words and figures on the pages, spectrally faint but needing only time and concentration to bring them into sharp focus. On a journey as long as the one she planned to take, there would surely be many opportunities to work on her book.
But she couldn’t take it. The book meant too much to her, and she could not bear the thought of losing it or having it stolen. At least if she left it here it would be safe until her return. She could still take notes while she was away, after all, refining her argument, ensuring that the edifice came together with no obvious flaws or weaknesses. The book would be all the stronger for it.
Rashmika clasped it shut, pushed it aside.
That left two things. One was her compad, the other a scuffed and dirty toy. The compad did not even belong to her, really; it was the family’s, and she only had it on extended loan while no one else needed it. But as no one had asked for it for months, it was unlikely to be missed during her absence. In its memory were many items relevant to her study of the scuttlers, sourced from other electronic archives. There were images and movies she had made herself, down in the digs. There were spoken testimonies from miners who had found things that did not quite accord with the standard theory of the scuttler extinction, but whose reports had been suppressed by the clerical authorities. There were texts from older scholars. There were maps and linguistics resources, and much that would guide her when she reached the Way.
She picked up the toy. It was a soft, pink thing, ragged and faintly pungent. She had had it since she was eight or nine, had picked it herself from the stall of an itinerant toymaker. She supposed it must have been bright and clean then, but she had no memory of the toy ever being anything other than well loved, grubby with affection. Looking at it now with the rational detachment of a seventeen-year-old, she had no idea what kind of creature the toy had ever been meant to represent. All she knew was that from the moment she saw it on the stall she had decided it was a pig. It didn’t matter that no one on Hela had ever seen a living pig.
“You can’t come with me either,” she whispered.
She picked up the toy and placed it atop
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