A Writer's Notebook

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Authors: W. Somerset Maugham
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floated past, a symbol of the life of man, an aimless thing, yielding to every breath, useless and with no mission but to spread its seed upon the fertile earth, so that things like unto it should spring up in the succeeding summer and flower, uncared for, and reproduce themselves and die.
    I didn’t know then how succulent a salad can be made of this humble herb
.

    The hawthorn hedges, well-trimmed and flourishing, were putting out their tiny buds, and here and there, already in full flower, bloomed the wild rose.

    At sunset over the slate-grey of the western clouds was spread a fiery vapour, a rain of infinitesimal tenuity, a great dust of gold that swept down upon the silent sea like the train of a goddess of fire; and presently, thrusting through the sombre wall of cloud like a titan bursting the walls of his prison, the sun shone forth, a giant ball of copper. With almost a material effort, it seemed, it pushed aside the obstructing clouds, filling the whole sky with brilliancy; and then over the placid sea was stretched a broad roadway of flame upon which might travel the passionate souls of men, endlessly, to the source of deathless light.

    The clouds hung over the valley pregnant with rain; and it gave a singular feeling of discomfort to see them laden with water and yet still painfully holding it up.

    The pine wood was cool and silent, fitting my humour. The tall trunks, straight and slender like the masts of sailing boats;the gentle aromatic odour; the light subdued; and the purple mist, so tenuous as to be scarcely discernible, a mere tinge of warmth in the atmosphere—it all gave me an exquisite sense of rest. My footfall on the brown needles was noiseless, and the tread was soft and easy. The odours filled me with a drowsy intoxication, like an Eastern drug. The tints were so soft that one could not believe it possible for paints and paintbrushes to reproduce them; the faintly-coloured air visibly surrounded things and softened their outlines. A pleasant reverie possessed me, unanalysable, a waking dream of half-voluptuous emotion.
    How fortunate is his lot who can accept the charming emotions that Nature gives him without trying to analyse the charm!
    The wind sighed through the pine trees with the pitifulness of a girl sighing for a love that was dead.

    The field all yellow with countless buttercups, a spring carpet whereon might fitly walk the angels of Messer Perugino.

    It was a concert of endless variety; in every hedgerow, in the branches of every tree, hidden among the leaves, sang the birds. Each one, as though trying to outsing the rest, sang as if his life depended on it, and as if life were irresponsible and joyous.

    The country was undulating and afforded spacious views of verdant hills and fat Kentish fields. It was the most fertile part of the county and thickly wooded. Elms, oak trees and chestnuts. Each generation had done its best, and the country was tended like a garden.
    It was a landscape as formal as Poussin’s or Claude’s. Ithad no abandon, no freedom; the hand of man was perpetually obvious in the trimness and in the careful arrangement.
    Sometimes, from a hill a little higher than the rest, I could look down into the plain bathed in sunlight, golden and dazzling. The fields of corn, the fields of clover, the roads and the rivulets, formed themselves, in that flood of light, into an harmonious pattern, glowing and ethereal.

    A square white house of stucco, with two great bow windows and a veranda overgrown with honeysuckle and the monthly rose. Nature could do little to beautify the hideous structure, a bastard product of Georgian architecture and merciless common-sense. Yet it had an air of comfort and of solidity. It was surrounded by fine-grown trees, and the garden in summer was rich with a dozen varieties of rose. It was separated by a low hedge from the green where in the long evenings the village boys played cricket. Opposite, in convenient propinquity, stood

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