eyes.
My hand shakes as I select the moment. A weekend, when I would be at home and SofÃa would be stuck at Berkshire. Sometime after our first date, when everything was still new, but it was also starting to be comfortable. When weâd both sort of accepted the reality of the other.
October 3. A Saturday evening.
I hesitate. I wonât be able to do this oftenâmaybe not everagain. I can lie and say I decided to stay at the Berk rather than go home, and itâll work once, but thereâs no way sheâll believe it a second time.
But I need this now. I focus on that moment in time, the moment where Iâve not been before but where I could be now. I reach out with trembling hands, touching the space in the timestream, wrapping my finger around time itself.
And Iâm there.
â¢Â â¢Â â¢
Iâm in my bedroom, the sky just beginning to fade into evening. The plants outside my window are dead or dying rather than how I just left them, starting to show life. I run to my desk and read the date on my calendar.
October 3.
It worked. Iâm here. Sheâs hereâsomewhere in the academy.
I donât know how this is going to play out. Maybe the moment I see her, Iâll be snapped back into my own time. But if my theory is right, as long as I donât try to contact her or leave her a message, a warning . . .
My stomach churns. It feels weird to spy on my girlfriend, weirder still to wish I could warn her away from me.
I just need one moment
, I think to myself. I just want to see her face. Just once more. It will give me the inspiration I need to figure out how to save her.
That thoughtâ
save her
âmakes reality stutter. I feel it in my navel, a tugging, like the strings of time tightening around my stomach. My breath jerks in my lungs, and my eyes focus like lasers on a single painted concrete block on my wall. I have to shake the thought away. I canât think about saving SofÃa, notwhile Iâm here in the past. If time thinks I am going to screw with it, itâll throw me back to where Iâm supposed to be.
Without her.
I bite my tongue, tasting blood but focusing on the pain. I try to clear my mind.
Intent matters.
So I wonât intend to do anything other than see her. Thatâs all. Just one look.
I sense time easing up on me, the timestream calming and accepting my presence here in the past. I stand up, my legs wobbly, but soon enough I get my bearings.
A glance at the clock tells me that itâs near dinnertime. Unless weâre having some sort of event, dinners are served in each unitâs common room, and ours is just down the hall from my bedroom.
I creep down the hallway. Iâm not sure what will happen if Iâm seen. Just in case, I start thinking of excuses about why Iâd be at the academy on a weekend. But I donât need themâthe hallwayâs deserted.
Thereâs sound and light spilling from the common room. I stand with my back against the wall, listening to the clattering of silverware on plates, the low rumble of voices. A sharp laughâRyanâsâpierces the air. I dare to peek around the doors and look inside.
On weekends, Gwen and I both go home, leaving Harold, Ryan, and SofÃa behind. They sit around the main table in the center of the common room now, eating ravioli. The tableâs huge even when weâre all there, but it looks like itâs not big enough for the three of them. Theyâve spaced themselves out, each taking a different side of the table and sitting as far away from each other as possible.
The common room is an odd mix of old-school leather and teenaged dishevelment. Big winged chairs litter the edges of the room, interspersed with framed reproductions of famous but somewhat mismatched artâ
Starry Night
beside a Renoir next to one of Picassoâs broken women. But thereâs also a giant flat-screen connected to the latest
Erik Scott de Bie
Anne Mateer
Jennifer Brown Sandra. Walklate
M.G. Vassanji
Jennifer Dellerman
Jessica Dotta
Darrin Mason
Susan Fanetti
Tony Williams
Helen FitzGerald