A Wild Sheep Chase

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Authors: Haruki Murakami
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case was an intricately patterned emblem. A sheep emblem.
    A sheep?
    I shook my head and closed my eyes. All this was beyond me. It seemed that ever since the ear photo came into my life, things had begun to escape me.
    “How much longer till we get there?” I asked.
    “Thirty or forty minutes, depending on the traffic.”
    “Then maybe you could turn down the air conditioning a bit? I’d like to catch the end of an afternoon nap.”
    “Most certainly, sir.”
    The chauffeur adjusted the air conditioning, then flicked a switch on the dashboard. A thick panel of glass slid up, sealing the passenger compartment off from the driver’s seat. I was enveloped in near total silence, save for the quiet strains of Bach, but by this point, hardly anything surprised me. I buried my cheek in the backseat and dozed off.
    I dreamed about a dairy cow. Rather nice and small this cow, the type that looked like she’d been through a lot. We passed each other on a big bridge. It was a pleasant spring afternoon. The cow was carrying an old electric fan in one hoof, and she asked whether I wouldn’t buy it from her cheap.
    “I don’t have much money,” I said. Really, I didn’t.
    “Well then,” said the cow, “I might trade it to you for a pair of pliers.”
    Not a bad deal. So the cow and I went home together, and I turned the house upside down looking for the pliers. But they were nowhere to be found.
    “Odd,” I said, “they were here just yesterday.”
    I had just brought a chair over so I could get up and look on top of the cabinet when the chauffeur tapped me on the shoulder. “We’re here,” he said succinctly.
    The car door opened and the waning light of a summer afternoon fell across my face. Thousands of cicadas were singing at a high pitch like the winding of a clockspring. There was the rich smell of earth.
    I got out of the limo, stretched, and took a deep breath. I prayed that there wasn’t some kind of symbolism to the dream.

Wherefore the Worm Universe
    There are symbolic dreams—dreams that symbolize some reality. Then there are symbolic realities—realities that symbolize a dream. Symbols are what you might call the honorary town councillors of the worm universe. In the worm universe, there is nothing unusual about a dairy cow seeking a pair of pliers. A cow is bound to get her pliers sometime. It has nothing to do with me.
    Yet the fact that the cow chose me to obtain her pliers changes everything. This plunges me into a whole universe of alternative considerations. And in this universe of alternative considerations, the major problem is that everything becomes protracted and complex. I ask the cow, “Why do you want pliers?” And the cow answers, “I’m really hungry.” So I ask, “Why do you need pliers if you’re hungry?” The cow answers, “To attach them to branches of the peach tree.” I ask, “Why a peach tree?” To which the cow replies, “Well, that’s why I traded away my fan, isn’t it?” And so on and so forth. The thing is never resolved, I begin to resent the cow, and the cow begins to resent me. That’s a worm’s eye view ofits universe. The only way to get out of that worm universe is to dream another symbolic dream.
    The place where that enormous four-wheeled vehicle transported me this September afternoon was surely the epicenter of the worm universe. In other words, my prayer had been denied.
    I took a look around me and held my breath. Here was the stuff of breath taking.
    The limo was parked on a high hill. Behind us was the gravel road which we’d come on, trailing away in an all-too-picturesque course of twists and turns to the front gate off in the distance. Probably, at a leisurely pace, a solid fifteen minutes’ walk away. Lining either side of the road stood cedars and mercury-vapor lights, stationed like pencil holders at equal intervals. Clinging to each cedar trunk were innumerable cicadas screeching feverishly, as if the end of the world were at

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