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Authors: Sofia Samatar
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The arrangement suited me perfectly: I planned to cross into the mountains and enter the formidable country of the Brogyars. I little knew that my wanderings would last for forty years, and bring me into such places as would cause many a man to shudder.
I will not, O benevolent reader, spend time in describing Bain itself, that city which is known to lie in the exact center of the world—for who, indeed, who reads this book will be unfamiliar with her, incontestably the greatest city on earth? Who does not know of the “gilded house,” the “queen of the bazaars,” where, as the saying goes, one can purchase even human flesh? No, I begin these modest writings farther south and east, at the gates of Asarma, which, seen from the sea, resemble a lady’s hand mirror. . . .
I lay on my pallet, surrounded by the rocking of the sea, reading Firdred of Bain in a yellow smear of candlelight. But I could not keep my mind on the words: the letters seemed to shift, rearranging themselves into words which did not exist in Olondrian. Kyitna . And then, like a ruined city: Jissavet of Kiem . I laid the book aside and gave myself up to dreams of her. I remembered the clarity of her eyes, which were like the eyes of Kyomi, the first woman in the world, who had been blessed with the sight of the gods. I thought of the city whose name she had said so carefully, A-lei-lin, Aleilin, Leiya Tevorova’s city, the city of violent seasons. What I knew of that city was Leiya’s story of how she was declared mad and shut up there for the winter in a great tower of black bricks. I looked at the city on Firdred’s map, which, like all Olondrian maps, showed painted cities of exaggerated size. Aleilin: a city like the others. The Place of the Goddess of Clay. And near it the moon-colored oval of the Fethlian, the lake where Leiya had drowned, where a nurse, as I knew from the preface to her autobiography, had found her with her shoe caught in the weeds. There, after long torments, the girl from Kiem would die—for was it not futile to struggle with kyitna , the just punishment of the gods? “And perhaps, the gods of the north—” the mother had said, hesitant, desperate; but what had the gods of the north to do with us? They were tales, pretty names. I turned on my side, restless, thinking of the strange girl with sadness. The bones of her face as she lay beneath the awning like a jade queen. She came from the south, from the land of doctors, wizards, and superstition, from the place which we in Tyom called “the Edge of Night.”
At length I blew out the candle and slept, but did not dream of the girl, as I had hoped I would; she had fled with the tiny light of the candle. I dreamed instead of the sea, raging, crushing our fragile boat, drowning the spices, splintering planks and bones with its roaring hands. . . . And then of the monkey, leaping from tree to tree, weighing down the branches. The way it looked over its shoulder, the way its tail hung, teeming with lice. And last of all the courtyard, patches of sunlight, the sound of hurried footsteps, closer now, the sound of breath. Jevick . My mother’s voice.
C hapter Five
City of My Heart
On the bridge of Aloun I gave up the great sea
Bain, city of my heart
That I might never weep for the memory of thee
Bain, city of my heart.
Let me gather the light that I saw in the square
Bain, city of my heart
And the jewel-haired maidens who walked with me there
Bain, city of my heart.
Oh the arches, the lemons, the cinnamon flowers!
Bain, city of my heart
What we abandon must cease to be ours,
Bain, city of my heart.
Bain, the Gilded House, the Incomparable City, splits the southern beaches with the glinting of her domes. On either side the sands stretch out, pale, immaculate, marked with graceful palms whose slender figures give no shade. Those sands, lashed by rain in the winter, sun-glazed in the summer, give the coast the look of a girl in white, the Olondrian color of
I will not, O benevolent reader, spend time in describing Bain itself, that city which is known to lie in the exact center of the world—for who, indeed, who reads this book will be unfamiliar with her, incontestably the greatest city on earth? Who does not know of the “gilded house,” the “queen of the bazaars,” where, as the saying goes, one can purchase even human flesh? No, I begin these modest writings farther south and east, at the gates of Asarma, which, seen from the sea, resemble a lady’s hand mirror. . . .
I lay on my pallet, surrounded by the rocking of the sea, reading Firdred of Bain in a yellow smear of candlelight. But I could not keep my mind on the words: the letters seemed to shift, rearranging themselves into words which did not exist in Olondrian. Kyitna . And then, like a ruined city: Jissavet of Kiem . I laid the book aside and gave myself up to dreams of her. I remembered the clarity of her eyes, which were like the eyes of Kyomi, the first woman in the world, who had been blessed with the sight of the gods. I thought of the city whose name she had said so carefully, A-lei-lin, Aleilin, Leiya Tevorova’s city, the city of violent seasons. What I knew of that city was Leiya’s story of how she was declared mad and shut up there for the winter in a great tower of black bricks. I looked at the city on Firdred’s map, which, like all Olondrian maps, showed painted cities of exaggerated size. Aleilin: a city like the others. The Place of the Goddess of Clay. And near it the moon-colored oval of the Fethlian, the lake where Leiya had drowned, where a nurse, as I knew from the preface to her autobiography, had found her with her shoe caught in the weeds. There, after long torments, the girl from Kiem would die—for was it not futile to struggle with kyitna , the just punishment of the gods? “And perhaps, the gods of the north—” the mother had said, hesitant, desperate; but what had the gods of the north to do with us? They were tales, pretty names. I turned on my side, restless, thinking of the strange girl with sadness. The bones of her face as she lay beneath the awning like a jade queen. She came from the south, from the land of doctors, wizards, and superstition, from the place which we in Tyom called “the Edge of Night.”
At length I blew out the candle and slept, but did not dream of the girl, as I had hoped I would; she had fled with the tiny light of the candle. I dreamed instead of the sea, raging, crushing our fragile boat, drowning the spices, splintering planks and bones with its roaring hands. . . . And then of the monkey, leaping from tree to tree, weighing down the branches. The way it looked over its shoulder, the way its tail hung, teeming with lice. And last of all the courtyard, patches of sunlight, the sound of hurried footsteps, closer now, the sound of breath. Jevick . My mother’s voice.
C hapter Five
City of My Heart
On the bridge of Aloun I gave up the great sea
Bain, city of my heart
That I might never weep for the memory of thee
Bain, city of my heart.
Let me gather the light that I saw in the square
Bain, city of my heart
And the jewel-haired maidens who walked with me there
Bain, city of my heart.
Oh the arches, the lemons, the cinnamon flowers!
Bain, city of my heart
What we abandon must cease to be ours,
Bain, city of my heart.
Bain, the Gilded House, the Incomparable City, splits the southern beaches with the glinting of her domes. On either side the sands stretch out, pale, immaculate, marked with graceful palms whose slender figures give no shade. Those sands, lashed by rain in the winter, sun-glazed in the summer, give the coast the look of a girl in white, the Olondrian color of
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