Willem,” JB once said to him, in a tone that suggested that what he didn’t know about Willem wasn’t good. This was late last year, shortly after Merritt, Willem’s former roommate, had gotten one of the two lead roles in an off-Broadway revival of
True West
. The other lead was being played by an actor who had recently starred in an acclaimed independent film and was enjoying that brief moment of possessing both downtown credibility and the promise of more mainstream success. The director (someone Willem had been longing to work with) had promised he’d cast an unknown as the second lead. And he had: it was just that the unknown was Merritt and not Willem. The two of them had been the final contenders for the part.
His friends had been outraged on his behalf. “But Merritt doesn’t even know how to act!” JB had groaned. “He just stands onstage and sparkles and thinks that’s enough!” The three of them had started talking about the last thing they had seen Merritt in—an all-male off-off-Broadway production of
La Traviata
set in nineteen-eighties Fire Island (Violetta—played by Merritt—had been renamed Victor, and he had died of AIDS, not tuberculosis)—and they all agreed it had been barely watchable.
“Well, he
does
have a good look,” he’d said, in a weak attempt to defend his absent former roommate.
“He’s not
that
good-looking,” Malcolm said, with a vehemence that surprised all of them.
“Willem, it’ll happen,” Jude consoled him on the way back home after dinner. “If there’s any justice in the world, it’ll happen. That director’s an imbecile.” But Jude never blamed Willem for his failings; JB always did. He wasn’t sure which was less helpful.
He had been grateful for their anger, naturally, but the truth was, he didn’t think Merritt was as bad as they did. He was certainly no worse than Willem himself; in fact, he was probably better. Later, he’d told this to JB, who responded with a long silence, stuffed with disapproval, before he started lecturing Willem. “I don’t know about you sometimes, Willem,” he began. “Sometimes I get the sense you don’t even really want to be an actor.”
“That’s not true,” he’d protested. “It’s just that I don’t think that every rejection is meaningless, and I don’t think everyone who gets a job over me does so out of dumb luck.”
There had been another silence. “You’re too kind, Willem,” JB said, darkly. “You’re never going to get anywhere like this.”
“Thanks, JB,” he’d said. He was rarely offended by JB’s opinions—often, he was right—but at that particular moment, he didn’t much feel like hearing JB’s thoughts on his shortcomings and his gloomy predictions about his future unless he completely changed his personality. He’d gotten off the phone and had lain in bed awake, feeling stuck and sorry for himself.
Anyway, changing his personality seemed basically out of the question—wasn’t it too late? Before he was a kind man, after all, Willem had been a kind boy. Everyone had noticed: his teachers, his classmates, the parents of his classmates. “Willem is such a compassionate child,” his teachers would write on his report cards, report cards his mother or father would look at once, briefly and wordlessly, before adding them to the stacks of newspapers and empty envelopes that they’d take to the recycling center. As he grew older, he had begun to realize that people were surprised, even upset, by his parents; a high-school teacher had once blurted to him that given Willem’s temperament, he had thought his parents would be different.
“Different how?” he’d asked.
“Friendlier,” his teacher had said.
He didn’t think of himself as particularly generous or unusually good-spirited. Most things came easily to him: sports, school, friends, girls. He wasn’t
nice
, necessarily; he didn’t seek to be everyone’s friend, and he couldn’t tolerate boors, or
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