when you hold it you feel as though you are actually holding a basket. This small Jomon pot looks and feels like a basket in clay.
The basket-like markings on this and other Japanese ceramics of the same period are in a cord pattern. That’s what the name ‘Jomon’ means in Japanese, but the word has come to be used not just for the pots but also for the people who made them, and even the whole historic period in which they lived. It was these Jomon people living in what is now northern Japan who created the world’s first pots. Simon Kaner, of the University of East Anglia, a specialist in ancient Japanese culture, puts them in context:
In Europe we’ve always assumed that people who’ve made pottery were farmers, and that it was only through farming that people were able to stay in one place, because they would be able to build up a surplus on which they could then subsist through the winter months, and it was only if you were going to stay in one place all the year round that you’d be making pottery, because it’s an awkward thing to carry around with you. But the Japanese example is really interesting, because here we have pottery being made by people who were not farmers. It’s some of the best evidence we have from prehistory anywhere in the world that people who subsisted on fishing, gathering nuts and other wild resources, and hunting wild animals also had a need for cooking pots.
The Jomon way of life seems to have been pretty comfortable. They lived near the sea and they relied on fish as a main source of food – food that came to them, so they did not have to move around as land-roaming hunter-gatherers did. They also had easy access to abundant plants with nuts and seeds, so there was no imperative to domesticate animals or to cultivate particular crops. Perhaps because of this plentiful supply of fish and food, farming took a long time to establish itself in Japan compared to the rest of the world. Simple agriculture, in the form of rice cultivation, arrived in Japan only 2,500 years ago – very late, on the international scale; but in pots the Japanese were in the lead.
Before the invention of the pot, people stored their food in holes in the ground or in baskets. Both methods were vulnerable to insects and to all kinds of thieving creatures, and the baskets were also subject to wear and weather. Putting your food in sturdy clay containers kept freshness in and mice out. It was a great innovation. But in the shape and texture of the new pots the Jomon did not innovate: they looked at what they already had – baskets. And they decorated them magnificently. Professor Takashi Doi, Senior Archaeologist at the Agency for Cultural Affairs in Japan, describes the patterns they produced:
The decorations were derived from what they saw around them in the natural world – trees, plants, shells, animal bones. The basic patterns were applied using twisted plant fibres or twisted cords, and there was an amazing variety in the ways you could twist your cords – there is an elaborate regional and chronological sequence that we have identified. Over the years of the Jomon period we can see over 400 local types or regional styles. You can pin down some of these styles to 25-year time slots, because they were so specific with their cord markings.
The Jomon clearly relished this elaborate aesthetic game, but they must also have been thrilled at the practical properties of their new leak-proof, heat-resistant kitchenware. Their menu would have included vegetables and nuts, but in their new pots they also cooked shellfish – oysters, cockles and clams. Meat too was pot-roasted or boiled – Japan appears to be the birthplace of the soup and the home of the stew. Simon Kaner explains how this style of cooking now helps us to date the material:
We’re quite lucky they weren’t very good at washing up, these guys – and so they’ve left some carbonized remains of foodstuffs inside these pots,
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