same.â
âJacques Arsenault.â
âReally, thereâs a whole bunch of them.â
âGilles LeBlancâs not too shabby neither.â
âThereâs always an opening going on somewhere, with wine and bits of food to eat as well. Anyone can go.â
âThe more business-minded ones often have the smoked salmon.â
âLots of them donât have loads of money, but they get by just the same.â
The spontaneous enumeration amuses the man whoâd shown no sign of reading.
âHave you bought paintings?â
âYvon Gallant gave us one. A small one. That time we drove him to Halifax to see an exhibition. He doesnât drive himself.â
âIâd like us to have one of Dyane Légerâs for our boyâs room. Or girl. We donât know which yet.â
âThereâs Francis Coutellier as well. His boats are pretty nice too.â
âYou see, there again, itâs the colour.â
âThereâs George Blanchette as well.â
âFor the kidâs room?â
âWell, no. I mean, just to have.â
Hans inserts the last piece of the puzzle without ceremony. He hadnât noticed, before fitting it in, that the shades on this last piece seem to represent a castle or a church. He bends down, examines it more closely. He canât decide if itâs a detail intended by the artist or an effect resulting from the angle of the brush on the canvas.
Hans now begins to study the painting in search of other details that may have escaped him. He finds himself enjoying again those elements he had previously admired, and he discovers a few others that also please him. Later, he will continue to glance at the work from a distance while, sitting cross-legged on his bed, he has a bite to eat.
Claudia is cleaning up her desk, putting books and notebooks away, stacking those she will have to open before starting her courses again. She checks her watch, makes a phone call but does not leave a message on the answering machine. She washes up, redials the earlier number. Still no one. She dresses and goes out anyway.
The sun is shining and a warm wind is blowing on the avenue. Claudia lingers in front of a few shop win-dows, goes into a record store, buys something, comes out, walks some more, goes into a café, hails a waiter, sits, pulls a magazine out of her bag while she waits to be served.
âYouâre a musician?â
âNo, not at all.â
âStrange. I could have sworn.â
Claudia found it odd that during the return trip, the pope-rabbi had asked her the same question as had the man whoâd shown no sign of reading. She had no idea what it was in her appearance or attitude that would lead people to think she was a musician.
âYouâre the second person to ask me that recently.â
âYour neck, your shoulders give that impression. Mainly your neck, I think. It seems as though music would pass through there. Itâs a fine passage.â
With that, the pope-rabbi had fallen silent. Even though he maintained a kind of joviality in spite of everything, Claudia sensed heâd somehow changed in the past two weeks.
âMy mother doesnât love my father any more. Sheâs going to leave him. Sheâs thinking of coming to America.â
âItâs normal that sheâd want to be closer to you. How about your father?â
âHeâs sad, a little down.â
âHeâll get over it, although . . .â
Claudia waited a moment for the pope-rabbi to complete the sentence, but the end did not come.
The more time passes, the less Iâm certain of what happened that day. Iâm no longer sure what I was thinking when I saw that truck coming from the opposite direction. I remember it was a nice day, but something like an undertow seemed to be pulling down on the idyllic scene. I felt a need to spread myself thin over the surface of things, as though I were repulsed
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