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Authors: Ruth Rendell
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went together to the Odeon that was now Indian and called the Taj Mahal. Until one night when old Mr. Grainger, catching him in the yard as he was sweeping up at five-thirty, sent him over to the other side of Kenbourne to pick up an electric drill some workman had been careless enough to leave behind in a house where he was doing a rewiring job. He’d tell Miss Johnson on his way home, he told Arthur, and he was to cut along as fast as he could.
Arthur collected the drill. The darkness—it was midwinter-was even lovelier than he thought it would be. And how very dark it was then, how much darker than nowadays! The black-out. The pitch darkness of wartime. In the dark he brushed against people, some of whom carried muffled torches. And in a winding little lane, now destroyed and lost, replaced by a mammoth housing complex, he came up against a girl hurrying. What had made him touch her? Ah, if he knew that he would know the answer to many things. But he had touched her, putting out his hand, for he was already as tall as a man, to run one finger down the side of her warm neck. Her scream as she fled was more beautiful in his ears than the squeaking of the mouse. He stared after her, into the darkness after her, emotion surging within him like thick scented liquid boiling. He knew what he wanted to do, but thought intervened to stay him. He had read the newspapers, listened to the wireless, and he knew what happened to people who wanted what he wanted. No doubt, it was better not to go out after dark. Auntie Gracie knew best. It was almost as if she had known why, though that was nonsense, for she had never dreamed …
His own dreams had been troubling him this past fortnight, the consequence of frustration. Each evening at eleven, before going to bed, he had taken a last look out of his bedroom window to see the courtyard below aglow with light from Room 2. It seemed a personal affront and, in a way, a desecration of the place. Moreover, Anthony Johnson hadn’t been near him, had avoided all contact with him. Arthur wouldn’t have known he was in the house but for the arrival, and the subsequent removalfrom the hall table, of another of those Bristol letters, and of course that ever-burning light.
Then, on a Friday evening just before eight, it went out. Carrying his torch, Arthur let himself out of his flat and came softly down the top flight. He had heard the front door close, but that might have been Li-li Chan going out. Both she and Anthony Johnson closed it with the same degree of moderate care. And it must have been she, for as Arthur hesitated on the landing he saw Anthony Johnson appear in the hall below him. Arthur stepped back and immediately the front door closed. Through its red and green glass panels the shape of Anthony Johnson could be seen as a blur vanishing down the marble steps. No one, Arthur reasoned, went out at this hour if he didn’t intend to stay out for some time. He descended the stairs and, delaying for a moment or two to let the occupant of Room 2 get clear, left the house, crossed the lawn, and entered the side passage.
There was no moon. The darkness wasn’t total but faintly lit by the far-reaching radiance of street lamps and house lights, and the sky above, a narrow corridor of it, was a gloomy greyish-red; the darkness, in fact, of any slum backwater. And this passage resembled, with the colouring of Arthur’s imagination, some alleyway, leading perhaps from a high road to a network of shabby streets. The muted roar of traffic was audible, but this only heightened his illusion. He crossed the little court, all the muscles of his body tense and tingling, and opened the cellar door.
It was three weeks since he had been here, and being here at last after so much dread and anguish brought him a more than usually voluptuous pleasure. Even more than usual, it was nearly as good as the real thing, as Maureen Cowan and Bridget O’Neill. So he walked slowly between the jumbled metal
Arthur collected the drill. The darkness—it was midwinter-was even lovelier than he thought it would be. And how very dark it was then, how much darker than nowadays! The black-out. The pitch darkness of wartime. In the dark he brushed against people, some of whom carried muffled torches. And in a winding little lane, now destroyed and lost, replaced by a mammoth housing complex, he came up against a girl hurrying. What had made him touch her? Ah, if he knew that he would know the answer to many things. But he had touched her, putting out his hand, for he was already as tall as a man, to run one finger down the side of her warm neck. Her scream as she fled was more beautiful in his ears than the squeaking of the mouse. He stared after her, into the darkness after her, emotion surging within him like thick scented liquid boiling. He knew what he wanted to do, but thought intervened to stay him. He had read the newspapers, listened to the wireless, and he knew what happened to people who wanted what he wanted. No doubt, it was better not to go out after dark. Auntie Gracie knew best. It was almost as if she had known why, though that was nonsense, for she had never dreamed …
His own dreams had been troubling him this past fortnight, the consequence of frustration. Each evening at eleven, before going to bed, he had taken a last look out of his bedroom window to see the courtyard below aglow with light from Room 2. It seemed a personal affront and, in a way, a desecration of the place. Moreover, Anthony Johnson hadn’t been near him, had avoided all contact with him. Arthur wouldn’t have known he was in the house but for the arrival, and the subsequent removalfrom the hall table, of another of those Bristol letters, and of course that ever-burning light.
Then, on a Friday evening just before eight, it went out. Carrying his torch, Arthur let himself out of his flat and came softly down the top flight. He had heard the front door close, but that might have been Li-li Chan going out. Both she and Anthony Johnson closed it with the same degree of moderate care. And it must have been she, for as Arthur hesitated on the landing he saw Anthony Johnson appear in the hall below him. Arthur stepped back and immediately the front door closed. Through its red and green glass panels the shape of Anthony Johnson could be seen as a blur vanishing down the marble steps. No one, Arthur reasoned, went out at this hour if he didn’t intend to stay out for some time. He descended the stairs and, delaying for a moment or two to let the occupant of Room 2 get clear, left the house, crossed the lawn, and entered the side passage.
There was no moon. The darkness wasn’t total but faintly lit by the far-reaching radiance of street lamps and house lights, and the sky above, a narrow corridor of it, was a gloomy greyish-red; the darkness, in fact, of any slum backwater. And this passage resembled, with the colouring of Arthur’s imagination, some alleyway, leading perhaps from a high road to a network of shabby streets. The muted roar of traffic was audible, but this only heightened his illusion. He crossed the little court, all the muscles of his body tense and tingling, and opened the cellar door.
It was three weeks since he had been here, and being here at last after so much dread and anguish brought him a more than usually voluptuous pleasure. Even more than usual, it was nearly as good as the real thing, as Maureen Cowan and Bridget O’Neill. So he walked slowly between the jumbled metal
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