and the older guys laugh even louder. I guess this is the punch line.
Caballo swings the door open and points at me. âI always knew you were the smart brother.â
I follow Gordo out of the bathroom. âHey, Caballo,â he yells. âWhy are you acting like such a big shot?â
Caballo whips around. âBecause, Gordo, thereâs nobody here to stop me from being the big shot, and you better remember that.â
When we walk back into the bathroom Alquilino is busy looking around for a place to put our stuff. âWe can put our bags and things in here in the morning,â he says, when he finds an empty broom closet. âIâll talk to the priest and see if we can get our own beds.â
Gordo is still fuming. âHe thinks heâs a big shot, weâll show him right, Alquilino?â
âListen, Gordo, you better try to get along with him. Iâve got a feeling that Caballo could make our life miserable if you donât.â
ANGEL IN THE DIRT
In the morning, Alquilino stashes our suitcases in the closet, and Gordo stacks the mattresses on top while I flush the three toilets and try the water in the faucets just to keep busy. When our things are safely put away, we step out of the dormitory into a red-dust field with four gray metal buildings stacked around it. The only trees in the camp huddle in a clump around a shed, patches of prickly grass grow like green islands in a sea of red dust. I canât decide if the tall chain-link fence running around the whole camp is there to keep the kids in or the dangerous-looking swamp out. This place looks nothing like the log cabins in the color pictures of American camps that my mother showed me.
Outside the fence there is a wild jumble of vines and prickly bushes. I press my face into the fence and say, âI bet thereâs a million snakes out there!â
Next to the fence, to our right, I see a cloud of red dust rising out of a hole. âThere is something digging under the fence,â I say. The shower of dirt stops, and a boyâs head pops out. The red-smudged face looks at us and then pops back in.
The kid looks familiar, so I run to the hole and poke my head in. âWhoâs in there?â
I hear muffled voices coming from inside the hole, and then a little dirt man springs up smiling, hair, face, and handsâeven his teethâdusted red by the clay. I stumble backâitâs Pepe. But this boy is the opposite of Pepe. Havana Pepe, the pampered baby of his family, was always dressed up in white.
âPepe, what are you doing here?â I ask.
Pepe considers the question for a second. âProbably the same thing you are, waiting for my parents to come.â He rubs his forehead, and a red streak flashes just above his eyebrows.
Pepe watches Alquilino inspecting the opening of the hole. âI bet thereâs someone in there that would like to see you,â he says just as a red hand creeps out of the hole, and reaches for his calf. âOw!â he yells.
âAngelita?â Alquilino asks.
Pepe winks at us and then sings into the dirt. â
Aaal-quiliii-no
is here.â
Weâre all bending over the hole as a red baseball cap rises slowly out of the little cave.
Alquilino stutters, âAn-an-angelita!â
Angelita pulls the cap down over her eyes and glares at Pepe. âIâm going to kill you. I wanted to clean up first.â Then she turns to us and says, âAnd what are you three staring at?â
Gordo laughs. âWhat do you meanâwhat are we looking at? Youâre the one thatâs crawling out of a hole in the ground.â
I jump inside and peer into the dark hole. The tunnel runs under the fence, out into the swamp. âAre you going to escape?â I ask Pepe.
âNo weâre going to use it to go pick tomatoes.â
âTomatoes? I donât see any tomatoes,â Alquilino says cautiously, studying the jumble of vines and
JENNIFER ALLISON
Michael Langlois
L. A. Kelly
Malcolm Macdonald
Komal Kant
Ashley Shayne
Ellen Miles
Chrissy Peebles
Bonnie Bryant
Terry Pratchett