weighing me down I shift it on the seat I get up hesitate for an instant head for the toilet it’s good to move a little and even better to run warm non-potable water over your face, the john is like the train, modern, brushed grey steel and black plastic, elegant like some handheld weapon, more water on my face and now I’m perked up, I go back to my seat, seeing the Pronto cover I spare a thought for the young cocaine-addicted wolf who is vomiting blood in his clinic in Turin, may the gods be merciful to him—in his hospital the character in Johnny Got His Gun is caressed by the sun and a beautiful nurse, Johnny whom they don’t let die despite his prayers in Morse, Johnny the little soldier destroyed by a land mine dreams of the landscapes of the Midwest and of driver-Christs, the little Lebanese book winks at me on the tray-table, why not go there after all dive into it go out of myself for a bit enter the imagination of Rafael Kahla and his stories, for lack of Dalton Trumbo and Johnny Got His Gun , the slightly textured paper is pleasant to the touch, let’s see if the bookseller on the Place des Abbesses was mocking me or not:
IV
Intissar raised her right fist. She shouted, cried, angrily wiped away her tears and leaned on her rifle like a cane.
Defeat begins with the feet.
It insinuates itself first into the same boots that were supposed to lead to victory, the ones you’d gotten ready, for years, for the last parade. Defeat begins with the boots that you polished every morning, the ones that grew misshapen, covered with dust, the ones that kept the blood from your toes as well as they could, that crushed insects, protected you from snakes, withstood stones on the path. Physical at first, like a cramp that makes you limp, defeat is a weary surprise, you begin to stumble, in war you totter on fragile feet. Suddenly you feel what you’d never felt before, your feet can no longer run, they refuse to carry you into the attack—suddenly they’re paralyzed, frozen despite the heat, they no longer want to serve the body that owns them. And then the rifle, Intissar’s cold staff, no longer fires straight, instead it gets jammed, begins to rust in the soldier’s imagination; you hesitate to use it from fear of breaking it completely and finding yourself without any support in a world that is starting to sway dangerously because your feet, inside the shiny boots, are beginning to bemoan their weariness and their doubt.
Suddenly your comrades avoid looking at each other, their eyes no longer settle on anything, they sink to the ground, their heads lowered to their weird feet and the mute sensation of defeat that fills their entrails, from the bottom up, from the legs, and then you see many of them dying, sadly, for no reason, whereas they used to die handsome and sleek and gleaming in the sun: now you know, you feel that from here on everything is pointless, if your feet, your legs, your stomach, your rifle yield to the defeat that is seeping in everywhere and is suddenly replacing the rightness of your cause, the songs, the anthems, the sharing of food and caresses, you’ll never be able to cross the mountain, never reach the top of that hill; the wounded are unbearable mirrors and the dead become strangers about whom you wonder, day after day, defeat after defeat, what will become of them—they’re no longer heroes, brothers, just victims, conquered people that history will hide on its bad side in that earth pounded now by the heavy feet of deserters, the boots of abandonment and fear. Everything follows quickly after that: after walking slowly at the front you find yourself walking silently in town, under the betrayed stares of civilians who blame you for their desperate grief, those women in front of their empty houses, those men, who recently, too recently, used to cheer you on, now they all are getting ready to cheer the new conquerors as from the ground they watch the fierce shadows of
IV
Intissar raised her right fist. She shouted, cried, angrily wiped away her tears and leaned on her rifle like a cane.
Defeat begins with the feet.
It insinuates itself first into the same boots that were supposed to lead to victory, the ones you’d gotten ready, for years, for the last parade. Defeat begins with the boots that you polished every morning, the ones that grew misshapen, covered with dust, the ones that kept the blood from your toes as well as they could, that crushed insects, protected you from snakes, withstood stones on the path. Physical at first, like a cramp that makes you limp, defeat is a weary surprise, you begin to stumble, in war you totter on fragile feet. Suddenly you feel what you’d never felt before, your feet can no longer run, they refuse to carry you into the attack—suddenly they’re paralyzed, frozen despite the heat, they no longer want to serve the body that owns them. And then the rifle, Intissar’s cold staff, no longer fires straight, instead it gets jammed, begins to rust in the soldier’s imagination; you hesitate to use it from fear of breaking it completely and finding yourself without any support in a world that is starting to sway dangerously because your feet, inside the shiny boots, are beginning to bemoan their weariness and their doubt.
Suddenly your comrades avoid looking at each other, their eyes no longer settle on anything, they sink to the ground, their heads lowered to their weird feet and the mute sensation of defeat that fills their entrails, from the bottom up, from the legs, and then you see many of them dying, sadly, for no reason, whereas they used to die handsome and sleek and gleaming in the sun: now you know, you feel that from here on everything is pointless, if your feet, your legs, your stomach, your rifle yield to the defeat that is seeping in everywhere and is suddenly replacing the rightness of your cause, the songs, the anthems, the sharing of food and caresses, you’ll never be able to cross the mountain, never reach the top of that hill; the wounded are unbearable mirrors and the dead become strangers about whom you wonder, day after day, defeat after defeat, what will become of them—they’re no longer heroes, brothers, just victims, conquered people that history will hide on its bad side in that earth pounded now by the heavy feet of deserters, the boots of abandonment and fear. Everything follows quickly after that: after walking slowly at the front you find yourself walking silently in town, under the betrayed stares of civilians who blame you for their desperate grief, those women in front of their empty houses, those men, who recently, too recently, used to cheer you on, now they all are getting ready to cheer the new conquerors as from the ground they watch the fierce shadows of
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