Wednesday on the Trocadéro esplanade committing several misdemeanors with various tourists: you stole a video camera, a camera, two Walkmen, you committed assault and battery on two men trying to resist you . . . Do you admit to these charges?
âYes.â
âDo you agree to go before the court immediately, with the assistance of a court-appointed attorney?â
âYes.â
He says to the two officers waiting by the door: âThank you, gentlemen, you can take him down to holding.â
The holding cell is in the basement of the Palais de Justice. The light stays on around the clock. They took my watch and shoved me into a cell, and from there, I lost all notion of time.
It didnât seem long or short to me; I wasnât impatient or anxious. The French government kindly offered me a piece of bread, a serving of Camembert, an orange, some cookies, and a bottle of water. My stomach could stand a diet like this. I thought, Whatever happens, Iâll always have food and water . Anyway, Iâm not controlling things anymore . I dozed on my bunk, the third one, just under the ceiling. Strangely, I had everything I needed.
The sounds Iâm hearing arenât familiar. Some cry, scream, slam their fists on their cell door: addicts going through withdrawal. Youâd think we were in an asylum. The show going on here could make you laugh.
There are two Arabs there, one small and wiry, the other big and fat. The first paces back and forth in the tiny cell, talking to the second, sitting patiently on the bottom bed. The Laurel and Hardy of petty crime.
âThis is bad! This is bad! My wife, my sons, they never worked. Whatâre they gonna do without me? If I go down for months, in jail, they wonât eat!â
The fat one laughs, but heâs a nice guy and tries to reassure the other.
âCome on, donât worry . . . if your wife has to work, then sheâll do it! Your kids, same thing! And when you get back home, youâll find your bank account fuller than it is today, you know!â
âOh, I donât know, I donât know!â
âWhy are you here anyway?â
âFor a wallet . . .â
Now I canât help bursting out in laughter. Iâm eighteen and already into big crime compared to this guy who could easily be my father. I donât say anything. I donât want to make enemies, even weak ones, but I think itâs pathetic to get thrown inside, at fifty-five plus, for stealing a wallet. And heâs freaking out, too! Itâs already unbelievable that heâs here for so little, but itâs insane that heâs making himself sick over it. And I canât imagine the French justice system would spend one franc of its tiny budget to sentence a loser like him. Clearly, heâs not putting the country in danger, and if prison has the power of dissuasion, itâll definitely work on this type of guy.
Weâll find out pretty fast: the door opens and they come to get us for an immediate court appearance. All three of us are going before a judge, but so are a dozen other defendants who join us in the hallway. We climb the stairs together to the courtroom.
Iâve never been to the theater in my entire life, but I saw plays on television when I was little. âSet design by Roger Harth and costumes by Donald Cardwell . . .â Well, here we are, and Iâm ready to do some improv. The staging seems pretty well done, the roles given out judiciously. Thereâs the one whoâs sobbing to soften up the judges. The one trying to look sorry, as you might at confession, or at least thatâs what I imagine. The one cringing in pain, or pretending anyway, even if nobodyâs interested. Thereâs the nonchalant guy, lips pursed, whistling softly between his teeth. Then thereâs the happiest kid in the class, to the point where you wonder if he isnât a complete idiotâheâs thrilled to be here! Then
John Birmingham
Sophia Acheampong
Cerys du Lys
Susan Kim
Claire Moss
Ronald Malfi
Susan Squires
Crystal Jordan
Freida McFadden
Diane Darcy