husband."
"But . . . you are old."
"The years do not touch me."
"Nor him . . . ? Your new husband?"
"Nor him."
Okoye shook his head. "I should not be here. I am only a man. What will you do with me?"
"You belong to Doro. He will say what is to be done with you—but you need not worry. He wants me as his wife. He will not harm you."
The water harmed him.
Soon after Anyanwu had revealed herself, he began to grow ill.
He became dizzy. His head hurt him. He said he thought he would vomit if he did not leave the confinement of the small room.
Anyanwu took him out on deck where the air was fresh and cooler. But even there, the gentle rocking of the ship seemed to bother him—and began to bother her. She began to feel ill. She seized on the feeling at once, examining it. There was drowsiness, dizziness, and a sudden cold sweat. She closed her eyes, and while Okoye vomited into the water, she went over her body carefully. She discovered that there was a wrongness, a kind of imbalance deep within her ears. It was a tiny disturbance, but she knew her body well enough to notice the smallest change. For a moment, she observed this change with interest. Clearly, if she did nothing to correct it, her sickness would grow worse; she would join Okoye, vomiting over the rail. But no. She focused on her inner ears and remembered perfection there, remembered organs and fluids and pressures in balance, their wrongness righted. Remembering and correcting were one gesture; balance was restored. It had taken her much practice—and much pain—to learn such ease of control. Every change she made in her body had to be understood and visualized. If she was sick or injured, she could not simply wish to be well. She could be killed as easily as anyone else if her body was damaged in some way she could not understand quickly enough to repair. Thus, she had spent much of her long life learning the diseases, disorders, and injuries that she could suffer—learning them often by inflicting mild versions of them on herself, then slowly, painfully, by trial and error, coming to understand exactly what was wrong and how to impress healing. Thus, when her enemies came to kill her, she knew more about surviving than they did about killing.
And now she knew how to set right this new disturbance that could have caused her considerable misery. But her knowledge was of no help to Okoye—yet. She searched through her memory for some substance that would help him. Within her long memory was a catalogue of cures and poisons—often the same substances given in different quantities, with different preparation, or in different combinations. Many of them she could manufacture within her body as she had manufactured a healing balm for Doro's hand.
This time, though, before she thought of anything that might be useful, a white man came to her, bringing a small metal container full of some liquid. The man looked at Okoye, then nodded and put the container into Anyanwu's hands. He made signs to indicate that she should get Okoye to drink.
Anyanwu looked at the container, then sipped from it herself. She would not give anyone medicine she did not understand.
The liquid was startlingly strong stuff that first choked her, then slowly, pleasantly warmed her, pleased her. It was like palm wine, but much stronger. A little of it might make Okoye forget his misery. A little more might make him sleep. It was no cure, but it would not hurt him and it might help.
Anyanwu thanked the white man in her own language and saw that he was looking at her breasts. He was a beardless, yellow-haired young man—a physical type completely strange to Anyanwu. Another time, her curiosity would have driven her to learn more about him, try to communicate with him. She found herself wondering obscurely whether the hair between his legs was as yellow as that on his head. She laughed aloud at herself, and the young man, unknowing, watched her breasts jiggle.
Enough of that!
She took
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