eyelids. âReally I did. Built it up from ⦠Worked hours, long hours. It isnât easy. Handling parents and children. Finding staff.â
âTell me about Indra,â he said.
âIndra? Oh, the kids adored her. She was gentle. She enjoyed her work.â
âWhat about her personal life?â
Amy Blyth replaced her glasses. The lenses made her brown eyes look very big. âI make it a rule not to intrude in the private lives of my staff, unless there are exceptional circumstances.â
âIâll need her address.â
âI have her file here.â Amy Blyth opened a drawer of her desk and took out a manila folder, which she slid towards Perlman.
He picked it up. âI have to borrow this,â he said. âHas anyone contacted Indraâs family?â
âI think one of the teachers did.â Amy fingered her crucifix, a small gesture of uncertainty.
Perlman tucked the folder under his arm. âIâll get this back to you.â He stepped from the room, shut the door, walked into the corridor. A small boy emerged from a toilet and almost collided with him.
âYou in a big hurry, wee man?â Perlman asked.
âGoing home,â the boy said. Gaun hame . He had untidy red hair and freckles and green eyes, and he wore a blue pullover and flannel shorts. A Glasgow face, Perlman thought. Heâd seen this boy thousands of times in different incarnations, in buses, on street corners, a face in a crowd on the way to a football match.
âSomebody kilt Mizz Gupta,â the boy said.
âDid you see it happen?â
âAye. Man had a gun. Know what he said?â
Perlman leaned down, bringing his face level with that of the child. âTell me.â
The kid whispered. âAre you pishing your knickers.â
Absent-mindedly, Perlman removed a length of white thread attached to the boyâs sweater. âHe said this to Miss Gupta?â
âAye.â The kid ran off down the corridor.
Perlman watched him go. Are you pishing your knickers . Was that some nasty jibe before the trigger was pulled and the gun exploded? A moment of verbal brutality imposed upon Indra Gupta before she died? Think about that. A young woman is staring into a gun and her killer is goading her. What does that tell you about your man, Lou? Cruel. Granted. But what else?
Something more. He enjoyed killing Indra Gupta. He made sport of it. He prolonged it. A fucking sadist.
He found Sandy Scullion inside the murder room. The technical people had gone. There was no sign of Mary Gibson. Sandy sat squeezed behind one of the small wooden desks. He looked grotesquely huge.
âThe Inspector relives his childhood,â Perlman said.
âI was trying to imagine everything that happened here through a kidâs eyes. But Iâve forgotten how a child sees the world.â
âItâs called growing old. Itâs the deal you get the day youâre born. The nappy, then the shroud.â
âItâs happening faster than I like,â Scullion said.
âYou know what it does to me when a thirty-six-year-old man such as yourself tells me heâs getting up in years? I feel like Iâm a Polygrip junkie in Weetabix City.â
Scullion got up from the desk, stretched his legs. âWhen I was four or five I wanted to be a bus conductor. Instead, here I am at a murder scene in a kindergarten. At some point Iâll go back to Pitt Street and stick coloured pins into wall maps and talk to forensic guys and collate facts â which is a far cry from how I saw my life.â
Perlman surveyed the classroom, his eyes drawn to the blood on the blackboard. A gunshot. A young woman falls dead. Little kids scream and cry. He imagined echoes. He didnât like the sounds they made in his head. He remembered something, a flicker out of childhood. âMy earliest ambition was to be a rabbi.â
âWhat stopped you?â
âAn awful
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