continued to listen. A definite crunch, crunch, crunch . And then—across the warehouse, in a window high up in the eaves—she saw a beam of light flash quickly across the glass. More silence. And then the muffled sound of talk and the hiss of a two-way radio.
There were people outside. With a radio.
Heights security? Cops?
She zipped up her backpack with infinite care. The coffin lid was still off. Should she slide it back on? She began to move it back into place, but it made such a loud scraping noise that she stopped. She had to get it back on, though, so in one hasty movement she shoved it back in place.
Outside she could hear more activity: crunching, whispers. There were several people outside and they were trying, not very successfully, to be quiet.
She slid the knapsack over her shoulder and moved away from the coffins. Was there an exit door in the rear? She couldn’t tell now—it was too dark—but she didn’t recall seeing one. What she needed to do was find a secure hiding place and wait this out.
Tiptoeing across the floor, she headed for the rear of the warehouse, where the giant pieces of an old ski lift had been stored—pylons, chairs, and wheels. Even as she moved across the floor she heard the door open, and she ran the last few yards. Now hushed voices could be heard in the shed. More radio noise.
Reaching the stacks of old equipment, she burrowed her way in, getting down on her hands and knees and crawling as far back as she could, twisting and turning among the giant pieces of metal.
A sudden snapping noise, and then the fluorescent tubes came popping and clinking on, bathing the warehouse in brilliant light. Corrie crawled faster, throwing herself behind a huge coil of steel cable and balling herself up, hugging her backpack to her chest, making herself as small as possible. She waited, hardly daring to breathe. Maybe they thought the padlock had been accidentally left open. Maybe they hadn’t noticed her car. Maybe they wouldn’t find her…
Footsteps crossed the cement floor. And then Corrie heard a burst of whispering. Now she could distinguish individual voices and catch snatches of phrases. With a thrill of absolute horror she heard her own name spoken—in the Texas drawl of Kermode: querulous, inciting.
She buried her head in her gloved hands, reeling from the nightmare. She could feel her heart almost bursting with anxiety and dismay. Why had she done this? Why?
She heard a voice speak, loud and clear: the harsh twang of Kermode. “Corrie Swanson?”
It echoed dreadfully in the cavernous room.
“Corrie Swanson, we know you’re in here. We know it. You’re in a world of trouble. If you come out and show yourself now, that would be the smart thing to do. If you force these policemen to have to find you, that won’t be smart. Do you understand?”
Corrie was choking with fear. More sounds: additional people were arriving. She couldn’t move.
“All right,” she heard the chief’s unhappy voice say. “You, Joe, start in the back. Fred, stay by the door. Sterling, you poke around those cats and snowmobiles.”
Still Corrie couldn’t move. The game was up. She should show herself. But some crazy, desperate hope kept her hidden.
Burying her head deeper into her gloves, like a child hiding under the covers, she waited. She heard the tap of footsteps, the scrape and clank of equipment being moved, the hiss and crackle of radios. A few minutes passed. And then, almost directly above her, she heard, loudly: “Here she is!” And then, aimed at her: “This is the police. Stand up slowly and keep your hands in sight.”
She simply could not move.
“Stand up slowly, hands in sight. Now. ”
She managed to raise her head and saw a cop standing just a few feet away, service revolver drawn and pointed. Two other cops were just arriving.
Corrie rose stiffly, her hands out. The cop came over, grasped her wrist, spun her around, pulled her arms behind her, and slapped on a
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