percent of the people in the world, Neeve. Believe me.â
âWas that the way it happened for you?â Neeve asked sweetly.
âFour times.â Sal beamed. âDonât be so fresh. Iâm an optimist.â
Neeve finished the coffee and got up feeling immensely cheered. âI think I am, too, but you help bring it out. Howâs Thursday for dinner?â
âFine. And remember, Iâm not on Mylesâs diet and donât say I should be.â
Neeve kissed him goodbye, left him in his office and hurried through the showroom. With a practiced eye, she studied the fashions on his mannequins. Not brilliant but good. Subtle use of color, clean lines, innovative without being too daring. Theyâd sell well enough. She wondered about Salâs fall line. Was it as good as he claimed?
She was back in Neeveâs Place in time to discuss the next window display with the decorator. At six-thirty, when she closed the shop, she began the now familiar job of carrying home Ethel Lambstonâs purchases. Once again there had been no message from Ethel; no response to the half-dozen phone calls. But at least there was an end in sight. Tomorrow morning sheâd accompany Tse-Tse to Ethelâs apartment and leave everything there.
That thought made her mind jump to a line from the poignant Eugene Field poem âLittle Boy Blueâ: âHe kissed them and put them there.â
As she tightened her hold on the armful of slippery garment bags, Neeve remembered that Little Boy Blue had never returned to his pretty toys.
5|
The next morning, Tse-Tse met her in the lobby promptly at eight-thirty. Tse-Tse was wearing her hair in braided coils pinned over her ears. A black velvet cape hung loosely from her shoulders to her ankles. Under it she was attired in a black uniform with a white apron. âI just got a part as a parlor-floor servant in a new play,â she confidedas she took boxes from Neeveâs hands. âI thought Iâd practice. If Ethelâs there she gets a kick out of it when Iâm in costume.â Her Swedish accent was excellent.
Vigorous bell-ringing did not elicit a response at Ethelâs apartment. Tse-Tse fumbled in her purse for the key. When she opened the door, she stepped aside and let Neeve precede her. With a sigh of relief, Neeve dropped the armful of clothes on the couch and started to straighten up. âThere is a God,â she murmured, then her voice trailed off.
A muscular young man was standing in the entrance of the foyer that led to the bedroom and bath. Obviously in the process of dressing, he was holding a tie in one hand. His crisp white shirt was not yet fully buttoned. His pale-green eyes, set in a face that with a different expression might have been attractive, were narrowed by an annoyed frown. His as yet uncombed hair fell over his forehead in a mass of curls. Neeveâs startled response to his presence was replaced by the immediate sense that his tangled hair was the product of a body wave. From behind her, she heard Tse-Tse draw in her breath sharply.
âWho are you?â Neeve asked. âAnd why didnât you answer the door?â
âI think the first question is mine.â The tone was sarcastic. âAnd I answer the door when I choose to answer it.â
Tse-Tse took over. âYou are Miss Lambstonâs nephew,â she said. âI have seen your picture.â The Swedish accent rose and fell from her tongue. âYou are Douglas Brown.â
âI know who I am. Would you mind telling me who you are?â The sarcastic tone did not abate.
Neeve felt her temper rising. âIâm Neeve Kearny,â she said. âAnd this is Tse-Tse. She does the apartment for Miss Lambston. Do you mind telling me where Miss Lambston is? She claimed she needed these clothes on Friday and Iâve been carrying them back and forth ever since.â
âSo youâre Neeve Kearny.â Now the
Yolanda Olson
Debbie Macomber
Georges Simenon
Raymond L. Weil
Marilyn Campbell
Janwillem van de Wetering
Stuart Evers
Emma Nichols
Barry Hutchison
Mary Hunt