wound,
searched them for any sad red-blue scab marking us
both victim and survivor.
All this before we knew that some wounds canât heal,
before we knew the jagged scars of Great-Grandmotherâs
amputated legs, the way a rock can split a manâs head
open to its red syrup, like a watermelon, the way a brother
can pick at his skin for snakes and spiders only he can see.
Maybe you have grown out of yoursâ
maybe you no longer haul those wounds with you
onto every bus, through the side streets of a new town,
maybe you have never set them rocking in the lamplight
on a nightstand beside a strangerâs bed, carrying your hurts
like two cracked pomegranates, because you havenât learned
to see the beauty of a busted fruit, the bright stain it will leave
on your lips, the way it will make people want to kiss you.
Love Potion 2012
Buzzards
able oarsmen
drag black oars
dripping foam
commandeering this rat-gilded vessel and hull
full with ghosts
shoving dead elephants across the menagerie deck
overboard
The smooth thick bones float
end over end wandering jagged ocean floorâ
Patellae shifting like dandelion seed A Halloween mask
of pelvic bone roams a neighborhood in a dream Silvered
horseshoes of mandibles canter spitting sand
âtumbling skeletons of magnolia petals smitten by July
windâ
but none of this before the wrecked bodies
turn sponge and tusk
swell even as the gray flesh is carried
sucked away to the bellies of lamprey
Crustacea dressed in teeth
I am a fool
This is no sea Clouds not reef not stone
This heavy coat is atmosphere The vultures
dredge cast-iron ladles Not oars
Taste hearts and turnips
in their throats Sky is cauldron
How they stir
this awful elixir Gods and bombs
zagging through the air like coins
down an empty well No eye of newt
No hair of bezoar Mandrake either
Just the willingness to hold
to lie
quiet as a carcass
A Wild Life Zoo
sleep is good, better is death
Heinrich Heine, âMorphineâ
I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lionâs cage, calling out,
Here, Kitty Kitty, Meow!
With one swipe of a paw much like a catcherâs mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars.
The lion didnât want to do itâ
He didnât want to eat the man like a piece of fruit, and he told the crowd this:
I only wanted some goddamn sleep.
The crowd had trouble believing the words sliding out of the lionâs mouth, a mouth the size of a cathedral with a vaulted ceiling, maxilla and mandible each like a flying buttress. They believed the lion even less when they saw that one or two of his words had been impaled on his teeth, which were pointed and lined up in a semicircle like large pink wigwams at a war party. The crowd scattered, fleeing to the pagoda bridge over the koi pond and the tinted windows of the humid reptile house.
But, I believed the lionâ
I had seen him yawn. I had fallen in love with that yawn and my thighs panged just thinking about laying my head inside that wet dark bed of jaws. So, I stayed, despite the man glittering and oozing on the ground like a mortal wound.
About the time the lion burped up the manâs jeans, now as shredded as a blue grass skirt, a jeep of twelve zoo workers screeched around the rhino exhibit in SWAT gear and khaki shortsâto rescue the man who was crumpled on the floor like a red dress that had too many drinksâtheir tranquilizer guns shone like Saint Michaelâs swords, and they each held a handful of dope-filled darts with neon pink feathers at the ends.
The lion paid this Zoo Crusade little attention and burped up the manâs asshole next. He looked at me and said,
I hate
C. G. Cooper
Ken Auletta
Sean Costello
Cheryl Persons
Jennifer Echols
John Wilcox
Jennifer Conner
Connie Suttle
Nick Carter
Stephanie Bond