speak.â
Max smiled at the word modern .
âOf course. That is the kind everyone asks for. And the one I know. I never danced the old-style tango in Buenos Aires. I was too young. Although I saw it danced often enough. . . . Ironically, I learned the tango I dance in Paris.â
âHow did you end up there?â
âThatâs a long story. It would bore you.â
De Troeye had beckoned the waiter, and was ordering another round, ignoring Maxâs protests. Ordering drinks without consulting anyone seemed to come naturally to him. Apparently he was the sort of fellow who behaved like a host even when he was a guest at someone elseâs table.
âBore me? On the contrary. You cannot imagine how fascinatedI am by what youâre saying. . . . Are there still people in Buenos Aires who play the old way? . . . Pure tango, as it were?â
Max thought about it for a moment and finally shook his head, doubtfully.
âThere is nothing pure. But there are still a few places. Not in the fashionable dance halls, obviously.â
De Troeye examined his own hands. Broad, strong hands. Not tapered, the way Max imagined those of a famous composer would be. Clipped, shiny nails, he noticed. He wore the gold signet ring with the blue lozenge on the same finger as his wedding band.
âI am going to ask a favor of you, Mr. Costa. Something that means a lot to me.â
The fresh drinks had arrived. Max did not touch his. De Troeye was grinning, sure of himself.
âIâd like to invite you to lunch,â he went on, âso that we can discuss this in more detail.â
Max concealed his surprise beneath an awkward smile.
âI appreciate the gesture, but as an employee I am not allowed in the first-class dining room . . .â
âYouâre right.â The composer frowned, thoughtful, as though wondering to what extent he could change the shipâs regulations. âThat is an unfortunate inconvenience. We could eat together in second class . . . but I have an even better idea. My wife and I have a double stateroom that can easily accommodate a table for three. . . . Would you do us the honor?â
Max hesitated, still taken aback.
âThat is very kind of you, but Iâm not sure that I should. . . .â
âDonât worry. I will arrange it with the steward.â De Troeye took a last sip before placing his glass firmly on the table, as if the matter was decided. âSo you accept, then?â
Any qualms Max still had were simply because he was cautious. It was true that nothing was going the way he had imagined. Or was it? he wondered after reflecting for a moment. He needed alittle more time and information to be able to weigh the pros and cons. Armando de Troeyeâs entrance was a new, unforeseen element in the game.
âPerhaps your wifeââ he began to say.
âMecha will be delighted,â de Troeye declared, raising his eyebrows as he signaled to the waiter to bring the bill. âShe says you are the best ballroom dancer she has ever met. It will be a pleasure for her as well.â
Without glancing at the total, de Troeye signed with his room number, tipped the waiter with a banknote, and rose to his feet. Out of courtesy Max made to do likewise, but de Troeye detained him, placing a hand on his shoulder. A hand stronger than he would have imagined for a musician.
âIn a manner of speaking, I want your advice.â De Troeye had slipped his gold fob watch out of his pocket and was checking the time with a nonchalant air. âUntil midday, then . . . Cabin 3A. We shall be expecting you.â
Without waiting for a reply, Armando de Troeye left the bar, taking for granted that Max would keep the appointment. After he had gone, Max sat staring at the door through which he had just disappeared. He reflected on the surprising turn this gave, or might give,
Alan Cook
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