Wexford 6 - No More Dying Then

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Authors: Ruth Rendell
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had no special regularity, his figure, though lean, no sign of athletic muscular development. But he moved with an entirely masculine grace, exuded a vague lazy charm and had about him an air of attractiveness, of making himself immediately noticed.
       His voice was soft and beautiful, the words he used slowly enunciated. He seemed to have all the time in the world, a procrastinator who would always put off till tomorrow what he couldn’t bring himself to do today. About thirty-three or thirty-four, Burden thought, but he could easily pass fox twenty-five to a less discerning observer.
       The two policemen followed him into a kind of lobby or back kitchen where a couple of guns and an assortment of fishing tackle hung above neat rows of riding boots and wellingtons.
       “Don’t keep rabbits, do you, Mr. Swan?” Wexford asked.
       Swan shook his head. “I shoot them, or try to, if they come on my land.”
       In the kitchen proper two women were engaged on feminine tasks. The younger, an ungainly dark girl, was preparing - if the heaps of vegetables, tins of dried herbs, eggs and mincemeat spread on the counter in front of her were anything to go by - what Burden chauvinistically thought of as a continental mess. Well away from the chopping and splashing, a minute doll-like blonde was ironing shirts. Five or six had already been ironed. There were at least that number remaining. Burden noticed that she was taking extreme care not to cause a horizontal crease to appear under the yoke of the shirt she was at present attending to, an error into which hasty or careless women often fall and which makes the removal of a jacket by its wearer an embarrassment.
       “Good afternoon, Mrs. Swan. I wonder if I may trouble you for a few minutes?”
       Rosalind Swan had a girlish air, a featherlight “bovver” haircut and nothing in her face or manner to show that eight months before she had been deprived of her only child. She wore white tights and pink buckled shoes, but Burden thought she was as old as he.
       “I like to see personally to all my husband’s laundry,” she declared in a manner Burden could only describe as merry, “and Gudrun can’t be expected to give his shirts that little extra wifely touch, can she?”
       From long experience Burden had learnt that if a man is having an affair with another woman and, in that woman’s presence, his wife makes a more than usually coquettish and absurd remark, he will instinctively exchange a glance of disgust with his mistress. He had no reason to suppose Gudrun was anything more than an employee to Swan - she was no beauty, that was certain - but, as Mrs. Swan spoke, he watched the other two. Gudrun didn’t look up and Swan’s eyes were on his wife. It was an appreciative, affectionate glance he gave her and he seemed to find nothing ridiculous in what she had said.
       “You can leave my shirts till later, Rozzy.”
       Burden felt that Swan often made remarks of this nature. Everything could be put off till another day, another time. Idleness or chat took precedence over activity always with him. He nearly jumped out of his skin when Mrs. Swan said gaily:
       “Shall we go into the lounge, my love?”
       Wexford just looked at him, his face impassive.
       The “lounge” was furnished with chintzy chairs, doubtful antiques, and, hanging here and there, brass utensils of no apparent use to a modern or, come to that, ancient household. It reflected no particular taste, had no individuality, and Burden remembered that Hall Farm, doubtless with all its contents, had been supplied to Swan by an uncle because he had nowhere else to live.
       Linking her arm into her husband’s, Mrs. Swan led him to a sofa where she perched beside him, disengaged arms and took his hand. Swan allowed himself to be thus manipulated in a passive fashion and seemed to admire his wife.
       “None of these names mean anything to me, Chief Inspector,” he

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