holler, âIâll toss it in if you donât put her down!â
The goatman moves to the lakeshore and dangles Greta over the water. âThrow the sack over to me now, or Iâll throw the
girl
in the pond,â he hollers back. He lets go of one of her arms, and Greta gives a little involuntary shriek.
âYou throw her in and Iâll throw the sack in, and weâll see which one sinks faster,â I say to him. Iâve got him there.
Svaalberd sets Greta down but keeps hold of her arm, even though she tugs and squirms.
âGive me the sack and Iâll let the girl go,â he says.
âLet go of the girl and Iâll give you the sack,â I tell him.
Now weâre as stuck as two moose with their antlers locked. And how to untangle them?
Heâs calculating. His face twitches with the effort. He knows heâs fast and strong. He might, he thinks, be able to release Greta, then grab the sack, and me, and Greta again, all three, before we can get away.
And I am thinking the same thing. That is, I know
I
could elude him, but I donât know if Greta and Spinning Girl can. And speaking of Spinning Girl, where is she?
Then suddenly, she is there, jangling the ring of keys. The goatman jerks with surprise and lurches toward her. Greta twists free. He lunges back to grab at her, but she darts away. The two girls skitter about like chickens in a farmyard, and the goatman whirls and twists, trying to catch first one, then the other, as if trying to grab one for the stew pot. Meantime, my mind whirls and twists and lunges and grasps at anything, any idea, any solution, butânothing.
Thereâs a strange noiseâa cough, maybe, or a squeal and a snort. Itâs Spinning Girl. Sheâs got her head thrown back, and sound comes from her mouth! Sheâs laughing! She thinks this is a gameâlike the one my cousins used to play, where one person was âitâ and had to try to tag the others. And then I realize: This is probably the only time in her whole life sheâs ever played a game.
Spinning Girlâs laughter makes me want to laugh; it makes me want to stop everything and hug her. And for a moment it takes away my dizzying fear, just long enough to think. To think of what to do.
I rush toward the goatman and he twists and starts, then plunges after me. I slide my arm through the knot in the sack, grasp hold of one of the smooth-skinned birch trees, and up Igo like a bear cub: feet, knees, elbows, hands, in a way I didnât even know I knew.
And there he is below, standing like a bear with his claws raking the tree trunk, head tipped back, glaring up at me. Greta and Spinning Girl stare, too, with their mouths agape, as if I am on fire. I canât ask why theyâre staring so hardâthereâs no time for that.
I just shout, âRun, little sister! Run, Spinning Girl! Run to Soria Moria.â
S ometimes goats get up in trees, eating the leaves, when thereâs nothing else to eat. How they get there you never know; you just see them standing on branches, munching away. So Iâm not surprised to see old Goatbeard himself climbing the tree after me.
Thatâs fine. The longer I can distract him, the farther away the girls can get. I just keep shimmying up the tree: hands, elbows, knees, and feet. Here, in the crotch of the tree, I set the sack, untie the knot, and reach inside.
âIs this what you want, old man?â I call down to him, dropping a handful of coins. The first one
ping
s against his upturned forehead while others shower around him.
He roars, snatching at the air as the coins whistle by his ears.
I reach into the sack again, find Mamaâs brooch, and pin itonto my shift. And up the tree I go. And up he comes after me.
Up I go, and up he comes. Soon, though, even my slight weight is too much, and the tree begins to bend, slowly bowing its crown toward earth. Holding on to the trunk, I let my legs dangle,
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