disregards signs and barges into places where sheâs not supposed to be, that means that what youâve really come for is the
real
tour.â
Poppy made a muddled face. Was she scolding her? Or just being blunt?
âBecause you are nosy,â the woman added.
Blunt, then.
The woman extended her hand. Here, at last, was proof of her oldnessâââknobby knuckles, skin paper-thin and liver-spotted. Poppy felt like she was shaking hands with a tree branch.
âI am Madame Grosholtz.â
âOh.
Oh.
â Poppyâs eyes went wide. âSorry I called your factory evil.â
Madame Grosholtz let out a laugh. It sounded like a tangled wind chime. âIt is nothing to me, my doll! Just a name. As long as I do what they tell me to do down there,â she said glibly, with a dismissive hand wave toward the floor, âthey let me dabble in all the real dabblings up here.â
âActually,â said Poppy, âIâm here to find out if you . . .â
But she trailed off, unable to work up a fit of righteous indignation. How could she accuse the woman now? Besides, maybe she wasnât the one who had sculpted the figure in the gazebo; if she had, wouldnât she have recognized Poppy the moment she entered?
âDo you want to see?â Madame Grosholtz asked, nodding and advancing upon her once again. âMy dabblings?â
Poppy gathered from her manic, unblinking stare that the only answer sheâd be allowed to give was, âUh, sure.â
Delighted, Madame Grosholtz clapped her hands twice and scampered off. A second later the room lit up, and Poppy realized how wrong sheâd been about the figures. There werenât just a few.
There were dozens.
Every size, shape, ethnicity. Fat men and skinny men, tall women and short women, happy and sad, from the palest complexion to the darkest shade. The whole of human history on parade: cavemen, bushmen, Vikings, Egyptian Pharaohs, Amazon women, Roman emperors, Mongol invaders, Aztec warriors, European monarchs, founding fathers, rows and rows of figures that Poppy never would have imagined could be rendered at such a level of artistry and skill.
And though the figures were impeccably made, their features werenât perfect; indeed, it was the astoundingly human
im
perfections that stole Poppyâs breath away. A womanâs eyes were spaced a shade too far apart; a manâs ears stuck out at odd angles. Freckles and birthmarks were in ample supply. One had a large nose that bore a curiously strong resemblance to Madame Grosholtzâs.
Just when Poppy thought herself incapable of tearing her gaze away from one figure, another would grab it and not let go, gluing her to every minuscule detail. How dynamically their eyes sparkled. How subtly their expressions sat. How natural their poses were, how
lifelike.
Incredibly, unbelievably real.
As if theyâre embalmed,
Poppy thought with a surge of dread.
âIt is wax,â Madame Grosholtz said reassuringly, as if sheâd anticipated the nasty conclusion to which Poppyâs mind had started to slip. âJust wax.â
So, not corpses, then?
Poppy made a snorting noise at the thought, then, embarrassed, looked down at her feet, at the shavings of what sheâd thought was skin.
Not skin. Wax.
She looked back up at Madame Grosholtz. âTheyâre amazing,â she said, the word maddeningly inadequate for something so . . . well, amazing. âYou made all of these yourself?â
Madame Grosholtz fixed a coy, not-so-humble look on her face. âYes. I made them.â
âAre they for the diorama?â
âOh, heavens, no, not for the store. I made those dismal farmers years ago, as a favor, and after thatâââno more! That place is reserved for soulless blobs of wax, good only for providing light and scents and a false sense of warmth. The empty kind. Here, we make the full kind.
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