circus business, counselor?â she asked, letting her eyes drift to his again as she set the mug back on the table. âIf itâs law, Iâm afraid Iâm going to disappoint you. I donât know much about it.â
âWhat do you know about, Jovilette?â Keane slid into the chair beside hers.
âCats,â she said. âAnd Prescottâs Circus Colossus. Iâll be glad to let you know whatever I can about either.â
âTell me about you,â he countered, and leaning back, pulled a cigar from his pocket.
âMr. Prescottââ Jo began.
âKeane,â he interrupted, flicking on his lighter. He glanced at the tip of his cigar, then back up at her through the thin haze of smoke.
âI was under the impression you wanted to be briefed on the personnel.â
âYou are a member of this circus, are you not?â Casually, Keane blew smoke at the ceiling. âI have every intention of being briefed on the entire troupe and see no reason why you shouldnât start with yourself.â His eyes traveled back to hers. âHumor me.â
Jo decided to take the line of least resistance. âItâs a short enough story,â she said with a shrug. âIâve been with the circus all my life. When I was old enough, I started work as a generally useful.â
âA what?â Keane paused in the action of reaching for the coffeepot.
âGenerally useful,â Jo repeated, letting him freshen her cup. âItâs a circus term that means exactly what it says. Roseâs parents, for instance, are generally usefuls. We get a lot of drifters who work that way, too. Itâs also written into every performerâs contract, after the specific terms, that they make themselves generally useful. There isnât room in most circuses, and certainly not in a tent circus, for performers with star complexes. You do whatâs necessary, whatâs needed. Buck, my handler, fills in during a slump at the sideshow, and heâs one of the best canvas men around. Pete is the best mechanic in the troupe. Jamie knows as much about lighting as most shandiesâelectricians,â she supplied as Keane lifted a brow. âHeâs also a better-than-average tumbler.â
âWhat about you?â Keane interrupted the flow of Joâs words. For a moment she faltered, and the hands that had been gesturing became still. âBesides riding a galloping horse without reins or saddle, giving orders to elephants and facing lions?â He lifted his cup, watching her as he sipped. A smile lurked in his eyes. Jo frowned, studying him.
âAre you making fun of me?â
His smile sobered instantly. âNo, Jo, Iâm not making fun of you.
She continued. âIn a pinch, I run the menagerie in the sideshow or I fill in the aerial act. Not the trap,â she explained, relaxing again. âThey have to practice together constantly to keep the timing. But sometimes I fill in on the Spanish Web, the big costume number where the girls hang from ropes and do identical moves. Theyâre using butterfly costumes this year.â
âYes, I know the one.â Keane continued to watch her as he drew on his cigar.
âBut mostly Duffy likes to use girls who are more curvy. They double as showgirls in the finale.â
âI see.â A smile tugged at the corners of Keaneâs mouth. âTell me, were your parents European?â
âNo.â Diverted, Jo shook her head. âWhy do you ask?â
âYour name. And the ease with which Iâve heard you speak both French and Italian.â
âItâs easy to pick up languages in the circus,â Jo said.
âYour accent was perfect in both cases.â
âWhat? Oh.â She shrugged and absently shifted in her chair, bringing her feet up to sit cross-legged. âWe have a wide variety of nationalities here. Frank used to say that the world could take a
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