Uncle John’s Bathroom Reader Presents Flush Fiction

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evening, leaning close to her as he provided a sluice for the gas to escape. (You know what I mean.) The blind woman smiled and he saw her smile. “What was that?” she asked, knowing full well. “That is the sound of a man who loves you, when he is near,” he answered. The blind woman liked the pure idea of the sentiment and invited him to lie down with her. He followed, both thinking: What is there to lose ?
    But he was a sailor from a foreign land and soon would be gone. This bothered her, of course. He would be gone, perhaps forever. She would miss him and his flatulence that announced, in its abrupt clarion way, the making of love. So she pursed her lips and began practicing explodents and susurruses against herencroaching abandonment. She mastered the squeal and the thundering bassoon. As the final day grew near, she cooked up a good pot of red beans for him, the kind packed with molecules of blue methane aching for release.
    On his last night in port he climbed the creaky stairs to her room and she fed him well, spooning the purplish mash in the direction of his mouth with mother love. Giddy, he began to break wind like there was no tomorrow, which there wasn’t. She followed his lead, blindly, matching him vibration for vibration with her practiced lips. He was a breezy old seadog and taught her more in that last evening than any landlocked blighter could ever hope to know.
    Then he sailed. A storm rose out of the east, his hermaphrodite brig splintered and sank, all drowned. Perhaps a pool of bubbles gamboled on the surface of the ocean for a moment, she thought when she heard the report. But she had learned her lessons well and recited them over and over in her room. Phoo-oo-oot. Phleesh. Shuh-kuh-kuh. Vleen. Brap. High-pitched farts and low-pitched farts and farts that tromboned in between. Sometimes she forgot herself and left her window open. A blind woman living alone in a room above a seamstress shop doesn’t much care what the neighbors think.
    I too was a sailor, in my youth, and had heard all the tales about foreign port cities young sailors hear on their first voyages. One evening, while the rest of the crew luxuriated in the local fleshpots, I stood in front of a seamstress shop leaning against a wall, a Players dangling from my lips, a tableau of solitude and dreams adrift. The strange and foreign port city at night was ablaze with torchlights in its cocky, smirky way, as foreign port cities always are. It was then that I heard him, above me, a sound I had listened to a hundred times late at night when the Dansker and Jenkins and Kincaid squatted and plotted in the lee forechains drinking watered rum and dicing away their pay: the song of thelegendary Drowned Farter. (It was said a pool of bubbles gamboled perpetually on the surface of the ocean at the exact spot his ship went down.) This, of course, was Adventure. I climbed the creaky stairs and entered the blind woman’s room. She sat cross-legged on a mound of rich pillows at the center of a web of colored threads connecting her fingertips to various corners of the room, like rigging on a ship, her haunted blind eyes long ago emptied of longing, a weathered figurehead on a bowsprit.
    But she was kind and understood my loneliness. She took me slowly, knowing that I was young and that my heart was crowded with all the useless baby furniture of young hope. On her pillows farts exploded overhead like rockets, rattled below like grapeshot at the waterline. Ripped and snapped like sails in a gale, canvas that billowed and sagged and filled again. Hot musket breath raked the poop. I boarded her. She boarded me. And when she pulled me under for the third time and I felt my brief life spent before me in a few seconds, I was grateful for the foretaste.
    You never forget her, your first foreign woman in a port city, regardless of the men she’s had ahead of you or will have later on. You board your ship the next morning and when the wind kicks up you want

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