Umami
especially not four.
    â€˜I’ve tried a thousand times at home and never found it,’ she says.
    â€˜How can you really try if you don’t even know what a penis looks like?’ Ana asks.
    â€˜Do so.’
    â€˜How?’
    â€˜OK, I don’t,’ Pina admits. ‘My dad wouldn’t show me his even though my mom yelled “It’s natural! It’s natural!” at him. But he didn’t want to so that was the end of that.’
    â€˜I see my brother’s all the time. It’s just like a pinky. How about we try on Luz?’
    â€˜What if she tells on us?’
    â€˜We’ll tell my mom she wet herself and that we had to change her knickers,’ Ana says, lifting her sister off the swing.
    â€˜Alright,’ Pina says, and she proceeds to take the lead refills out of the BIC. She counts them, then puts all eight in her pocket. She doesn’t want to risk them breaking inside Luz. Then she has another idea. On the ground near the swings there’s a drink with a straw in it. Pina puts the pencil in her pocket, grabs the straw from the can and wipes it on her shorts.
    Between them they manage to lie Luz down on the wall on top of Ana’s trousers. Pina tries to take off her swimsuit but she gets in a twist. It’s not the same as undressing a doll. But even so Ana knows how to do it. Watching her maneuver the straps, it occurs to Pina that the secret is not to be afraid; it occurs to her that people with brothers and sisters are the least afraid of all. Luz is still giggling and singing, ‘on the swing, a-wing, a-wing there’s a little swinging lady’.
    â€˜What’s she talking about?’ Ana asks.
    â€˜That is so creepy,’ Pina says.
    But Luz carries on singing her song, making it up as she goes along. Ana holds down her knees and joins in the chorus to distract her.
    â€˜On the swing, a-wing, a-wing…’
    â€˜Stop it,’ Luz says. ‘My song.’
    This vagina hatch turns out to be even harder to open than the last one, and Pina’s job is made more difficult still by Luz, who squirms the second the straw goes near her. Luz laughs at first, but then starts to cry. Ana pins her down by the wrists. But Pina gives up almost immediately. Nobody has ever really punished her, but she has a hunch that what she’s doing is worthy of serious punishment. They let go of Luz and tickle her until she rolls and almost falls off the wall.
    â€˜Maybe Luz and I don’t have holes,’ Ana says, ‘and that’s why we’re sisters.’
    â€˜You don’t get it,’ Pina says, now not so sure about anything. She jumps down from the wall.
    â€˜If you don’t have holes, you’re never going to have children,’ she says, then stands up on one of the swings and thrusts her pelvis forwards and backwards, rocking herself furiously. She’s thinking that neither the hole, the penis, nor the tadpoles exist, that it’s all a story for dumb kids; another one of those stories her mom tells her, like when she says she’s going to pick Pina up from school and instead her dad shows up. Like when she told Pina she could go along to her dance class and then just went without her and without saying anything and Pina was left standing in the kitchen in her leotard.
    They hear a whistle. Luz recognizes it and starts to clap. A few seconds later Linda turns up at the swings. Pina is on edge. She’s scared Aunt Linda will tell her off. She stops rocking herself but remains frozen on the swing. She clutches hard onto the chains and her eyes bore into her feet, into her shadow on the grass, into Ana’s panties lying there like a dead butterfly. Linda announces that they have to go back to Mexico City. It’s an emergency: Grandma Emma turned up to surprise them and nobody’s there to open the door.
    â€˜Get dressed, all of you!’ she orders. She means all of them bar Pina. Pina is the

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