off the ground.
He left her bedchamber to find Oldcastle outside with murder in his eyes. “Don’t imagine you’re the first,” the manager told Mr. Geronimo. “Don’t imagine that at your ridiculous age you are the only love she has ever found waiting right outside her window. You pathetic old fungus. You sickening parasite. You growth, you blunted thorn, you bad seed. Get out and don’t come back.” Mr. Geronimo understood at once that Oliver Oldcastle had been driven mad by unrequited love. “My wife is buried on that hill,” he said firmly, “and I will visit her grave whenever I choose. You will have to kill me to stop me, unless I kill you first.”
“Your marriage ended last night in milady’s bedchamber,” retorted Oliver Oldcastle. “And as to which of us kills the other, that bloomin’ remains to be seen.”
There had been fires, and buildings our ancestors had had known all their lives stood charred among them, staring into the pitiless brightness through the hollow sockets of their blackened eyes, like the undead on TV. As our ancestors emerged from their places of safety and lurched through the orphaned streets, the storm began to feel like their fault. There were preachers on television calling it God’s punishment for their licentious ways. But that was not the point. It did feel, at least to some of them, that something they had made had escaped their grasp and, freed, had raged around them for days. When the earth, air and water calmed down they feared that force’s return. But for a time they were busy with repair work, with feeding the hungry and caring for the old and weeping for the fallen trees, and there was no time to think about the future. Wise voices calmed our ancestors, telling them not to think of the weather as a metaphor. It was neither a warning nor a curse. It was just the weather. This was the soothing information they wanted. They accepted it. So most of them were looking in the wrong direction and did not notice the moment when the strangenesses arrived to turn everything upside down.
O ne hundred and one days after the great storm, it seems that Ibn Rushd lying forgotten in his family tomb in Córdoba somehow began to communicate with his equally deceased opponent, Ghazali, in a humble grave on the edge of the town of Tus, in the province of Khorasan; initially in the most cordial of terms, afterwards less jovially. We accept that this statement, difficult as it is to verify, may be met with some scepticism. Their bodies had decayed long ago, so that the notion of lying forgotten contains a kind of untruth, and the further notion of some sort of sentient intelligences remaining in the locations of their interments is patently absurd. Yet in considering that strange era, the era of the two years, eight months and twenty-eight nights which is the subject of the present account, we are forced to concede that the world had become absurd, and that the laws which had long been accepted as the governing principles of reality had collapsed, leaving our ancestors perplexed and unable to fathom what the new laws might be. It is in the context of the time of the strangenesses that the dialogue between the dead philosophers should be understood.
Ibn Rushd in the darkness of the tomb heard a familiar female voice whisper in his ear. Speak. With a sweet nostalgia seasoned with bitter guilt he remembered Dunia, the stick-thin mother of his bastards. She was tiny, and it occurred to him that he had never seen her eat. She suffered from regular headaches because, he told her, of her dislike of water. She liked red wine but had no head for it and after two glasses became a different person, giggling, gesticulating, talking without stopping, interrupting others, and, always, wanting to dance. She climbed on the kitchen table and when he declined to join her she stamped out a pouting solo piece containing equal parts of petulance and release. She clung to him at night as if she would
Abbi Glines
Caroline Linden
Jennifer Probst
Christopher Golden
Rachel Kramer Bussel
Kelvin MacKenzie
Gary Chesla
Poul Anderson
Cathy Spencer
Andrew Neiderman