over and put her thumb over a red button on the controls.
âHer?â I looked down and thatâs when I realized what ICE was storing here. Or rather, who. It was a woman, her skin a rippling map of wrinkles framed by snowy hair. She seemed familiar, but it was impossible to place her in such unusual circumstances.
Accident victims were sometimes placed in cryostasis until new organs could be designed and produced for them. But something told me ICE wasnât keeping this woman frozen while they made her a kidney.
Future Me brushed a wisp of the womanâs hair back from the age-etched face before pressing the red button, sending the woman back into the confines of the cryostorage unit.
âWho is she?â I asked. âI mean, is she ⦠dead?â
âSheâs alive.â Bree looked back and forth between the woman and the tank before shaking her head slightly and turning back to me. There was a new expression on her face, like something had clicked. She gave the central tank one last, long look before turning back to face me. âOh my gosh. I know who ⦠umm, I have to go.â
âWhat? You mean synch?â
She shook her head and raced off to one of the entrances of the room. The door slid open. As if an afterthought, she turned back around and pointed at a metal screen propped up about ten feet from where I was standing. âYouâll hide behind that.â
âHuh?â
But she hadnât stuck around to explain. I didnât have much time to mull it over, though, because the opposite entrance began to unseal. I raced over to the metal screen and slid behind it. She hadnât said Iâd get caught here, so that made me feel a smidge better.
Even through the screen, I could tell who one of the people was. Well, not who so much as what. His stiff, red scrub pants swished as he entered the room backward, dragging something heavy behind him. He was one of ICEâs workers.
âCouldnât have picked a light one, ehh?â he said to another person following behind him.
I craned my neck as far out as I dared to get a glance at the other person, but the metal screen was grated, and I worried theyâd detect the movement.
âI was following very specific orders.â The voice was garbled with a grating rasp to it. I couldnât even tell if it was a man or a woman.
I risked a further peek to see why. My hand flew to my mouth before I could stop it. At least I prevented the cry of shock from escaping. It was the person Iâd seen earlier. The person at the London Fire, dressed head-to-toe in the same silver protective suit as before. They did work for ICE.
âWell?â There was a harsh clip, even through the mask that distorted the voice. I stared at Raspy, willing him or her to pull the hood and mask away so I could get a look at the face, but no such luck.
âWell what?â said the red scrub.
âWe had a deal,â said Raspy. âShe comes with me.â
âItâs gonna take a lot more than one. They got big plans.â
âBut we had aââ
âTake it to the higher-ups. Nothing I can do about it.â The red scrub raised the soligraphic controls in front of the central tank. Willowy robotic arms descended from the ceiling and clamped onto the heavy object at his feet. They lifted their load above the tank and dumped the contents in with a splosh . The red scrub entered information into the controls, ignoring Raspy, who was pacing behind him.
âFine,â said Raspy. But his (her?) posture spoke defeat as she (he?⦠dang, it was really impossible to tell) headed to the far exit.
Blark. The exit that my future self had taken only a few minutes ago. I tried to think of a way to warn her, but then I realized that by virtue of the fact that I knew Raspy was going out there, so did she.
âFine,â the red scrub jeered at the sealed door. He finished up with whatever
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