him.
He would spend the remaining three years of his life in exile and die in Paris, yet in spite of everything, he would retain his spirit to the end. On his deathbed in the Hotel d'Alsace, while suffering from the acute pain of cerebral meningitis, he would jokingly complain about the aesthetically unappealing wallpaper in his bedroom.
"It is killing me," he would say with his last breath. "One of us
has
to go." As for Lord Alfred Douglas, the instigator of it all, he would emerge from the affair unscathed and go on to write a book about his relationship with Wilde. So much for the ironies of life.
But as Grayson left the Cafe Royal, his thoughts were not concerned with Oscar Wilde and his flirtations with disaster so had said. "possibly of Mediterranean blood." And Doyle had also hinted at the possibility of perversion being involved, secrets darkly kept. Some not kept so darkly or so well, thought Grayson. wryly. Douglas had not left much doubt as to the character of Tony Hesketh. Links were forming. A swarthy, foreign gentleman linked to Tony Hesketh. Hesketh linked to Angeline Crewe. Angeline Crewe was dead and Tony Hesketh was missing. And the last place any of them had been seen was the Lyceum Theatre. It was time to have another talk with Mr. Bram Stoker.
Tony Hesketh's sanity was hanging by a thread. He did not know where he was. He knew only that he was in a dark, damp cell, barely illuminated by a single torch set into a sconce in the stone iv-all. It was like a dungeon in a medieval castle: what little he had seen of it when he was brought here was in ruins. He heard the distant drip of water. He could not move to explore his surroundings because he was manacled to the wall, his arms chained to an iron ring above him. He could barely remain standing to support his weight and when he sagged down from exhaustion, the chains sent a wrenching pain through his shoulders. His coat had been removed and his white shirt had been ripped open, exposing his throat and chest.
He was cold, but there was a burning pain in his neck, at a spot on his throat directly over the jugular vein.
He did not remember how he came here. The last thing he could recall was going down to Whitechapel with his new friend, his rich, exotic and exciting friend, and they had walked through the thick fog together, fog so thick that Hesketh couldn't even see where he was going, but his friend had taken him by the hand and led him, promising a wild. new experience and then somehow they were here, in this ruined castle— how could there possibly be a castle in Whitechapel!—and he was led down to the dungeon as his friend walked ahead of him, carrying a torch, and it looked as if no one had disturbed the dust of centuries, as if they had somehow stepped out of London and into another place in another, long forgotten time. And then the nightmare had begun.
The sun was going down. Tony Hesketh could not see outside but he knew the sun was going down as surely as if there were a window in the dungeon cell. After three weeks in this horrifying place, three weeks of the same, mind-numbing, terrifying routine, he knew. His eyes had grown accustomed to the dim light and on the far side of the cell; he could see the large black coffin carved from ebony and worked with intricate designs and silver filigree, resting on a marble pedestal. He remembered the chilling words that had been spoken to him the night he had been brought here and chained to the stone wall.
"I will sleep close to you now. I will remain with you until the change has taken
place."
He had not known what those words meant then, but he knew now and it frightened him beyond all measure. He could feel it happening. After the first time, he had been sick, retching uncontrollably, his stomach cramping his vision blurring. Then he became racked with fever and then chills. Sweat poured from every pore. He soiled himself repeatedly, but the chains were never taken off and now he
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