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woman: it was Italian, not Maltese, that they were talking, and he caught the words 'officer - pension - take care'. He was conscious of being looked at through a small window, and presently the woman came out, a hard-faced slattern in a dirty white dress. She had assumed a genteel expression, and in quite good English she said 'Yes, this was the Admiral's palace - was the gentleman come on official business?' Jack explained that he was there as a friend, and he was surprised to see disbelief in her small, close-set eyes: she retained her smile however and asked him to walk in; she would tell the Admiral he was there. He was led up dim stairs and shown into a splendid room: splendid, that is to say, in its proportions, its pale green marble floor with white bands, its lofty carved plaster ceiling, and its chimney-piece, which enclosed a hearth larger than many of the cabins Lieutenant Aubrey had lived in; less so in its furniture, which amounted to a couple of upright chairs with leather seats and backs, looking lost in all that light-filled space, and a little round table. There seemed to be nothing else at all, but when Jack, having reached the middle window in a noble flight of seven, turned towards the fireplace he found himself looking straight at the likeness of his former captain at the age of thirty-five or forty, a brilliant portrait, wonderfully fresh and clear. He contemplated it, standing there with his hands behind his back; and the minutes dropped by in the silence. He did not know the artist: it was not Beechey, nor Lawrence, nor Abbott, nor any of the usual painters of the Navy; probably not an Englishman at all. But a very able fellow in any case: he had caught Hartley's strong, masterful, dominating air exactly, and his energy; but, reflected Jack after a long communing with the portrait, he had certainly not liked his sitter. There was a cold hardness in that painted face, and although the portrait was truthful enough in its way it took no account of Hartley's good nature - rarely expressed, to be sure, but real enough upon occasion. The picture was not unlike a statement made by an enemy: and Jack remembered how a brother-officer had said that even Hartley's undoubted courage had a grasping quality about it, that he attacked the enemy in a state of furious indignation and personal hatred, as though the other side were trying to do him out of some advantage - prize-money, praise, employment.
    He was reflecting upon this and upon the true function of painting when the door opened and a very cruel caricature of the portrait walked in. Admiral Hartley was wearing an old yellow dressing-gown, its front stained with snuff, loose pantaloons, and down-at-heel shoes by way of slippers; the bones of his nose and jaw had grown and his face was much bigger; it had lost its fierce distinction, its authority, and of course its weather-beaten tan; it was ugly and even ludicrous; and its large clay-pale surface now expressed no more than a settled commonplace sour discontent. He looked at Jack with an inhuman absence of interest or pleasure and asked him why he had come. Jack said that being in Gozo he thought he would pay his respects to his former captain and ask whether he had any commands for Valletta. The Admiral made no clear reply and they stood there with Jack's voice echoing in the empty room as he spoke of the weather for the last few days, the changes in Valletta, and his hopes of a breeze for tomorrow.
    'Well, sit down for a minute,' said Admiral Hartley: and then, making an effort, he asked whether Aubrey had a ship at present. But without waiting for a reply he said 'What's o'clock? It is time for my goat's milk. Always late, these buggers. It is essential that I should have my goat's milk regular,' and he looked eagerly at the door.
    'I hope you keep well, sir, in this climate?' said Jack. 'It is reckoned very healthy, I believe.'
    'There ain't no such thing as health when you're old,' said the Admiral.