Track of the Cat
still stood just inside the door but at least she had put her handbag down. "We'll start with her pictures," the woman said, a weary eye traversing the boxes and bowls and piles of photographs. "I expect most will have to be thrown away but there may be a few I'll want to keep. Or you might want some." She looked at Anna hopefully, as if wanting her to be Sheila's friend.
    "Yes," Anna said, unsure what Mrs. Drury would want to keep-would want her to keep. Anything with Sheila in it, she decided.
    Since Sheila was the photographer, Anna had thought there wouldn't be many of those. Evidently Drury had had a camera with a tripod. She'd put herself in nearly half the pictures.
    The snicking sound of snapshots shuffling and the hot, still air quickly dulled Anna's mind. The photos, for the most part, were not interesting enough to offset her growing drowsiness. There were two shots of Craig Eastern that Anna studied with more care than the rest. Both were of him crouching beside a snow-dusted prickly pear. He was smiling. It must've been in December or January before the RV site proposal and the ensuing smear campaign he'd launched.
    "Someone has already been through my daughter's things," Mrs. Drury said sharply.
    Anna's head snapped up at the accusing tone. "Not that I know of, Mrs.
    Drury," she replied soothingly. "No one's been over here to do it until today."
    Sheila's mother just glared.
    "Just you and me," Anna added helplessly.
    Mrs. Drury seemed to think that over, her lips pursed, wrinkles radiating from beneath her nose like a cat's whiskers. After a moment, she shook her head. "No," she stated flatly. "Not just you and I. Look." Grabbing the edges of the basket between her feet, she gave it a shake. Anna looked. Like everything else in the room, it was tumbled full of snapshots. "You of all people should have noticed," Mrs. Drury said and Anna knew that in the woman's mind she had been turned into Sheila's dearest friend.
    "What?" she asked politely.
    "There's all different things in here," Mrs. Drury explained with exaggerated patience. "Look: horses." She threw two snapshots onto the coffee table. "Flowers." A picture of blooming cholla was tossed on the pile. "Here's some kind "of dog." A long shot of a coyote looking back over its shoulder was thrust into Anna's hand. "Sheila was not tidy, but she was organized. She kept her pictures according to subject. Even when she was little, she'd take pictures with her Brownie Instamatic. Then when they came back, she'd sort them into things and put each thing in a box."
    Tears were running down Mrs. Drury's face, runneling her makeup, dripping spots of pale orange onto her jacket. Anna liked her better at that moment than she had since they'd met.
    "I should have noticed," Anna agreed, knowing she should have. The pictures were canted at funny angles. Some of them were super close-ups-so close it was hard to tell what they were of. Lots were shot through things: knotholes, doorways, cans with both ends cut out. Attempts at Art, Anna surmised. But every container she had looked through had been of one subject: rock pictures in the mason jar, birds in the ashtray, Sheila in uniform in the candy dish.
    A wooden shoe, a ceramic vase made to look like a paper bag, and several other containers stood empty on the coffee table. Someone had dumped their contents into the basket.
    "Is there something to drink?" Mrs. Drury asked plaintively.
    "I'll get you a glass of water," Anna said, glad to have something to do.
    "No," Mrs. Drury said. "To drink."
    "Beer?"
    "That would be all right."
    Anna got two beers from the refrigerator. There was a six-pack under the counter. She put it in to cool. Later they might need it. Bringing the beers and one glass into the living room, she sat beside Sheila's mother on the couch.
    They drank in silence, Anna from the can, Mrs. Drury pouring the beer into the glass half an inch at a time like a woman measuring out medicine.

    "Why would somebody go

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