Touchstone Anthology of Contemporary Creative Nonfiction

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Authors: Lex Williford, Michael Martone
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economy,” too expensive. In farm animals, for instance, we want good commercial quality, but we can see that the ability to produce meat or milk can actually be a threat to the farmer and to the animal if not accompanied by qualities we would call natural: thriftiness, hardiness, physical vigor, resistance to disease and parasites, ability to breed and give birth Without assistance, strong mothering instincts. These natural qualities decrease care, work, and worry; they also decrease the costs of production. They save feed and time; they make diseases and cures exceptional rather than routine.
    We need crop and forage species of high productive ability also, but we do not need species that will not produce at all Without expensive fertilizers and chemicals. Contrary to the premise of agribusiness advertisements and of most expert advice, farmers do not thrive by production or by “skimming” a large “cash flow.” They cannot solve their problems merely by increasing production or income. They thrive, like all other creatures, according to the difference between their income and their expenses.
    One of the strangest characteristics of the industrial economy is the ability to increase production again and again Without ever noticing — or Without acknowledging — the costs of production. That one Holstein cow should produce 50,000 pounds of milk in a year may appear to be marvelous — a miracle of modern science. But what if her productivity is dependent upon the consumption of a huge amount of grain (about a bushel a day), and therefore upon the availability of cheap petroleum? What if she is too valuable (and too delicate) to be allowed outdoors in the rain? What if the proliferation of her kind will again drastically reduce the number of dairy farms and farmers? Or, to use a more obvious example, can we afford a bushel of grain at a cost of five to twenty bushels of topsoil lost to erosion?
    “It is good to have Nature working for you,” said Henry Besuden, the dean of American Southdown breeders. “She works for a minimum wage.” That is true. She works at times for almost nothing, requiring only that we respect her work and give her a chance, as when she maintains — indeed, improves — the fertility and productivity of a pasture by the natural succession of clover and grass or when she improves a clay soil for us by means of the roots of a grass sod. She works for us by preserving health or wholeness, which for all our ingenuity we cannot make. If we fail to respect her health, she deals out her justice by with drawing her protection against disease — which we can make, and do.
    To make this continuity between the natural and the human, we have only two sources of instruction: nature herself and our cultural tradition. If we listen only to the apologists for the industrial economy, who respect neither nature nor culture, we get the idea that it is somehow our goodness that makes us so destructive: The air is unfit to breathe, the water is unfit to drink, the soil is washing away, the cities are violent and the countryside neglected, all because we are intelligent, enterprising, industrious, and generous, concerned only to feed the hungry and to “make a better future for our children.” Respect for nature causes us to doubt this, and our cultural tradition confirms and illuminates our doubt: No good thing is destroyed by goodness; good things are destroyed by wickedness. We may identify that insight as Biblical, but it is taken for granted by both the Greek and the Biblical lineages of our culture, from Homer and Moses to William Blake. Since the start of the industrial revolution, there have been voices urging that this inheritance may be safely replaced by intelligence, information, energy, and money. No idea, I believe, could be more dangerous.

The Pain Scale
     
    Eula Biss
 
    EULA BISS , author of The Balloonists , teaches nonfiction writing at Northwestern University and is coeditor of Essay

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