for the other’s blade, Swan with his dagger, the other man with a gloved hand – Swan tried and failed to land a pommel-punch, and the Orsini’s left hand punched his dagger arm hard enough to threaten his grasp of his weapon. He threw it with little force, but the quillons hit his assailant’s face and made him flinch, and Swan got his left hand on his own sword-blade and slammed the edge down on the man’s left hand where it had come to rest on the table, breaking all the other man’s fingers.
The Orsini swordsman stumbled back, and Swan vaulted the table and made a fast cut to finish the fight, but the other man parried.
Swan drove him back three steps, but each step took him deeper into the melee, and any thought of single combat vanished as a fist caught him in the thigh – an almost harmless blow that nonetheless awakened him to the fact that he was surrounded by enemies, most of whom had their own opponents but all of whom could potentially end his life.
He caught a sword-blade intended for his head on his crossguard, trapped it with his left hand and slammed his whole hilt back down the line of the attack, making teeth fly. The grip on the enemy sword slackened, and he whirled, swinging the stolen sword by the blade and cutting deeply into his own left fingers. The hilt caught an unwary retainer in the back and shoulder. He rolled with the blow like a trained fighter, but not fast enough to avoid Di Brescia’s debilitating kick to the groin and follow-up blow to the head.
Swan caught a new assailant’s attack in his peripheral vision and raised his sword, only to have it smashed by a chair – a heavy oak chair – which broke his beautiful blade and almost shattered his right arm. One leg caught him a glancing blow to his lip and ripped his face.
Swan saw red, stepped into the open space created by the chair and caught the man’s dagger hand in his own bloody left – the chair-thrower tried to use his own left to drag Swan to the floor, but Swan passed under the blow as Di Brachio had taught him on board ship – slamming his elbow into the man’s throat in passing his own right arm across the Orsini’s body, turning the man unwillingly outward and away, and then throwing him over his own right leg – while maintaining control of the dagger hand, so the man’s shoulder separated with a loud pop, and he screamed like a woman in childbirth.
Giannis had another man against the wall, and was slamming his head repeatedly against the tiles of the fireplace. There was a high-pitched shout of triumph, and another man fell heavily against Swan’s legs. Violetta stood triumphantly over her victim while Irene nursed her knuckles.
‘She parried and I thrust,’ Violetta said, breathing hard.
Irene had a bad cut all the way down her hand and arm. She stared at it, and Andromache grabbed her. ‘Don’t pass out, you little fool!’ she shouted.
Swan rotated, looking for a new adversary.
The Florentines had taken the Orsini by surprise, and all three of them had downed a man, shattering the weight of their attack. Messire Accucciulli bowed like the dancer he was, and flourished his blade. ‘A perfect end to a perfect evening,’ he said.
Di Brescia was looking at the men he’d downed with all the pride of middle-aged prowess, but he returned the bow. ‘Messire may well have saved us,’ he said.
The Florentine shrugged. ‘A small return on your hospitality. Who would abandon a dance partner?’ He bowed to Violetta. ‘At your service, my lady, whoever you might be.’
Swan was looking at Irene’s hand. The blade had crossed her guard and cut down between the knuckles, almost separating the web between the fingers – and had also scored high on the forearm near the elbow.
Violetta helped Swan lower the Greek girl into a chair – the same chair that had done some damage to Swan’s face. ‘Look away,’ she said to Irene, who was white as a sheet and breathing very shallowly.
She peeled the
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