house all hours for what it knew we grew and incubated. This was wearisome, like aging twice. It made the scraping appear again also mirrored in me welling over with such blood the films blurred. I did not want to masturbate again and yet my balls screamed between my legs and my shaft stood up doing stand up, the oldest jokes I’d ever heard. The mouth of the head would sometimes speak in Darrel’s voice and beg and beg me. The corridors of Darrel were turning and unfurling. On every finger, Darrel’s rings, ripped from planets falling into orbit of our bone.
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Name withheld : “We made films of everyone we killed. We copied over the movies in every home’s collection with the evidence of their ending. Their VHS death providing the death of cinema itself. As soon as you copied over, like, Gone with the Wind , it was also copied over in all the copies of it ever sold. It was fucking awesome. The cameras clung to our hands and tried to love us as creators. The majority of the films did not need to be filmed by us directly, as they had already always existed in the brains and layers of the mnemonic American mush. The tapes would fill the bloodstream of our future, and in it we would bathe and wake and so dissolve.”
FLOOD : The films, like the audiotapes, taken from the house of Gravey have as yet all appeared all blank, though the number of these films is significant, and the tapes appear to have been regularly played (the media inside them slightly battered, sometimes broken). Investigations into what content might be hidden among the archive is in process .
“There is a public demand to kill. This was all simple negotiation. Millions of women will take only a few weeks more; the rest must automatically collapse. They will become absorbed. The few remaining bodies should be of use to a consecrating fuckfest for whoever’s got a dong still in this country, male or female. With complete automation of our disease and old age we will mark the beginning of an emotional morality. There will be celebration on the face of every final breath. There will be no wake. We’re not god because what god is does not end. The silence must expand between notes until there is no awareness. I call on you to stop. Death is all over. I’m glad it is. Peace in their lives a million times. If you knew what was ahead of you, you’d rest. Because what are people but the peddlers of we and all we’re doing is I don’t care.”
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CHARLES , age 15: “As his voice started to get raw he began whipping his hands around in front of him like I guess it was supposed to be sign language. After that he traced the words in some dark liquid along his arms and chest and face. I knew I understood, and had been waiting in my life to find these words presented, opened, burned onto my mind.”
The second and third mothers the boys brought to me were much older than the first. They were sisters and had made babies before with other men. I could see where on their arms they had been bruised by the boys in handling from wherever they had come. I did not want to know the origin because here we were now. The smell of meat was flooding from their pores. I could hardly look at them, I was shaking so hard, with all the ascendancy inside me that they triggered. He who gives must give and give. This is the nature of the music. I told the boys to leave me now. I told them to all go in the band room and hold their instruments against their chests and think about what in them should not exist. On the floor inside the mirror room the women wept. Their gift was not at all like silence. For my pleasure I wept too. The wet upon my wide face sizzled and spattered in the mirrors and evaporated into flavor. I matched the women note for note resounding while their brownish nipples shook and shook. There was milk inside them. There were eggs inside them. There was a space inside them. They were mine. Ours. Today. I
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