This Side of Paradise (Barnes & Noble Classics Series)

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Authors: F. Scott Fitzgerald
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realized that his best interests were bound up with those of a certain variant, changing person, whose label, in order that his past might always be identified with him, was Amory Blaine. Amory marked himself a fortunate youth, capable of infinite expansion for good or evil. He did not consider himself a “strong char’c’ter,” but relied on his facility (learn things sorta quick) and his superior mentality (read a lotta deep books). He was proud of the fact that he could never become a mechanical or scientific genius. From no other heights was he debarred.
    Physically. —Amory thought that he was exceedingly handsome. He was. He fancied himself an athlete of possibilities and a supple dancer.
    Socially. —Herehis condition was, perhaps, most dangerous. He granted himself personality, charm, magnetism, poise, the power of dominating all contemporary males, the gift of fascinating all women.
    Mentally. —Complete,unquestioned superiority.
    Now a confession will have to be made. Amory had rather a Puritan conscience. Not that he yielded to it—later in life he almost completely slew it—but at fifteen it made him consider himself a great deal worse than other boys ... unscrupulousness ... the desire to influence people in almost every way, even for evil ... a certain coldness and lack of affection, amounting sometimes to cruelty ... a shifting sense of honor ... an unholy selfishness ... a puzzled, furtive interest in everything concerning sex.
    There was, also, a curious strain of weakness running crosswise through his make-up ... a harsh phrase from the lips of an older boy (older boys usually detested him) was liable to sweep him off his poise into surly sensitiveness, or timid stupidity ... he was a slave to his own moods and he felt that though he was capable of recklessness and audacity, he possessed neither courage, perseverance, nor self-respect.
    Vanity, tempered with self-suspicion if not self-knowledge, a sense of people as automatons to his will, a desire to “pass” as many boys as possible and get to a vague top of the world ... with this background did Amory drift into adolescence.

Preparatory to the Great Adventure
    The train slowed up with midsummer languor at Lake Geneva, and Amory caught sight of his mother waiting in her electric on the gravelled station drive. It was an ancient electric, one of the early types, and painted gray. The sight of her sitting there, slenderly erect, and of her face, where beauty and dignity combined, melting to a dreamy recollected smile, filled him with a sudden great pride of her. As they kissed coolly and he stepped into the electric, he felt a quick fear lest he had lost the requisite charm to measure up to her.
    “Dear boy—you’re so tall ... look behind and see if there’s anything coming ...”
    She looked left and right, she slipped cautiously into a speed of two miles an hour, beseeching Amory to act as sentinel; and at one busy crossing she made him get out and run ahead to signal her forward like a traffic policeman. Beatrice was what might be termed a careful driver.
    “You are tall—but you’re still very handsome—you’ve skipped the awkward age, or is that sixteen; perhaps it’s fourteen or fifteen; I can never remember; but you’ve skipped it.”
    “Don’t embarrass me,” murmured Amory. “But, my dear boy, what odd clothes! They look as if they were a set—don’t they? Is your underwear purple, too?”
    Amory grunted impolitely.
    “You must go to Brooks’ and get some really nice suits. Oh, we’ll have a talk to-night or perhaps to-morrow night. I want to tell you about your heart—you’ve probably been neglecting your heart—and you don’t know.”
    Amory thought how superficial was the recent overlay of his own generation. Aside from a minute shyness, he felt that the old cynical kinship with his mother had not been one bit broken. Yet for the first few days he wandered about the gardens and along the shore in a state of

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