Read Online This Night's Foul Work by Fred Vargas - Free Book Online Page A

beautiful they are, more complicated. No good trying to understand everything in this world.’
    â€˜No, right,’ said Adamsberg.
    â€˜Ah, well.’
    Four of the men took a mouthful of wine at the same time, with no apparent coordination.
    â€˜So it falls off, and that’s what we call cast antlers,’ Hilaire went on. ‘You can find them in the forests like mushrooms. But antlers from a kill, they’ve been cut off from the animal you hunted. See?
Living
bone.’
    â€˜And this killer doesn’t care about living bone,’ said Adamsberg, returning to the murdered stag. ‘He’s just interested in death. Or the heart.’
    â€˜That he is.’

IX
    A DAMSBERG TRIED TO EXPEL THE STAG FROM HIS MIND. HE DIDN’T WANT TO go into the hotel room with all that blood in his head. He paused in front of the door, wiping his thoughts, clearing his brow, and forcing himself to think about clouds, marbles and blue skies. Because in the hotel room a child aged nine months was asleep. And with children you never know. They can penetrate your skull, hear the ideas moving around, feel the sweat of anguish and maybe even see a picture of a slaughtered stag in their father’s head.
    He pushed the door open quietly. He had not told the male assembly the truth. Accompanying, yes, out of consideration, yes, but so as to babysit the child, while Camille played her viola up at the chateau. Their last break-up – had it been the fifth or the seventh? he wasn’t sure – had led to an unforeseen catastrophe. Camille had become a good friend, a comrade, something that drove him to desperation. Towards him she was absent-minded, smiling, affectionate and familiar: in short, and tragically, just a good friend. This new state of affairs disconcerted Adamsberg who was trying to find the fault line, to dislodge the feeling beating under this natural mask, like a crab under a rock. But Camille seemed really to be walking away into the distance, freed of her former stress. And as he said to himself, as he greeted her with a polite kiss, trying to bring an exhausted friend back towards a renewal of love wasa near-impossible task. He was therefore concentrating, in a fatalist manner and to his own surprise, on his paternal function. He was a beginner in that domain, and was still trying to assimilate the information that the child was his son. He thought he would have put in as much effort if he had found the baby on a park bench.
    â€˜He’s not asleep yet,’ said Camille, putting on her formal black jacket.
    â€˜I’ll read him a story. I’ve brought a book.’
    Adamsberg pulled a large volume out of his overnight bag. The fourth of his sisters had taken it upon herself to try and cultivate his mind and complicate his life. She had packed for him a four-hundred-page book on architecture in the Pyrenees, something he had no interest in, and given him the assignment of reading it and telling her what he thought of it. His sisters were the only people Adamsberg obeyed.
    â€˜Buildings of the Béarn,’
he read.
‘Traditional techniques from the twelfth to the nineteenth century.’
    Camille shrugged and smiled, unmistakably taking on the role of a sympathetic friend. As long as the child went to sleep – and on this point she trusted Adamsberg absolutely – his oddities didn’t matter. Her thoughts were entirely concentrated on the concert that evening – a heaven-sent engagement for her, and no doubt due to Yolande’s regular prayers to the Powers-that-be.
    â€˜He likes this one,’ Adamsberg said.
    â€˜Yes, why not?’
    No criticism, no irony. The blank neutrality of authentic friendship.
    Once he was alone, Adamsberg examined his son, who was looking at him with a philosophical expression – if that can be said of a nine-month-old baby. The child’s concentration on something far away, his indifference to little worries,