friends. It was possible that we might really get along. Should he go back in? Should he not? What was really being offered?
“Yes,” I’d told him. “It was what you thought.”
“Damn it, damn it, damn it,” he’d replied, but the moment had passed, and we’d never been inclined to get naked again. Soon after, I’d hooked Griffin up with Elise, who’d conquered his resistance through a combination of sexy ankles, fishnet stockings, and braless stirring of pumpkin risotto. Now, she was taking him shopping for small, soft sweaters in the women’s department, and introducing him to the joys of high-thread-count sheets. He was slightly ashamed of how much he loved this, and worried that he’d be recategorized into a Stray. He wasn’t. He was his own thing. There was no one on earth like Griffin, and that was half of why I adored him.
THE ABOVE CATEGORIES, combined with my work overload, caused me to keep my head down whenever I had to make an appearance on the seventh floor of 721 Broadway. The boys of the DWP weren’t even on my radar. Therefore, the first time I met the Boxer, I was dismissive. He was part of the Do-Over category, and in the grad program. Not bad looking. None too tall, but making up for it with great arm and chest muscles, due to the fact that he worked out at a boxing gym. Blondish, close-cropped hair. Sexily broken pugilist’s nose. It did not occur to me to be interested in him. The thing that made me reconsider the Boxer was his voice. I heard this great, raspy boom echoing across a crowded classroom, and I looked around in spite of myself.
The class was taught by a famous avant-garde playwright. He’d assigned us the first page of Kafka’s The Castle, not a play, mind you, an unfinished novel about a poor guy trying in vain to get into a very low-rent heaven. We were supposed to do we knew not what with it. The playwright sat in the back of the house, grimacing his trademark sexy grimace. We were not experimental enough for him. His plays involved dreamlike realities and absurdist dialogue seeded with spectacular one-liners. He was a superstar for a select audience. I pretended I’d read the play the teacher was known for, but I lied. I was only interested in Sam Shepard, and I had too many day jobs to spend any time on my homework. I was getting by solely on my smile, which I spread indiscriminately around the department, hoping it would get me forgiven for not working up to my potential. Whenmy turn came around to show my interpretation of The Castle, I sent the Boxer into the booth, to speak over the God mic, and flung all the other men in the class onstage, where they opposed my friend Ruby in her quest for a place to sleep. It was a sort of no-room-at-the-inn situation, which went surprisingly well the first time around, and heinously the second, when the professor made me repeat what I’d improvised. After class, the Boxer came up to me and told me he thought it had been “not bad.”
We shared other classes, it turned out. One was with my most beloved professor, Martin, a Guru in his own right, who always carried about twenty-five pounds of obscure and wonderful books in a beaten-up leather bag and delivered his lectures in a distinctive growl. Martin and I were close cohorts, often drinking wine after class and trading volumes. He had a pack of young male acolytes, who could usually be found trailing behind him, hoping that some of his elusive combination of brilliance, eccentricity, and badass sense of humor would rub off on them. In one of Martin’s classes, I read aloud a prose piece about the ridiculous loss of my virginity, and the Boxer laughed so hard I thought he might have a coronary. He asked for my phone number, and though Vic had again admonished me for giving it out, I did. He’d laughed at my jokes, goddamn it. My ego was enamored. Also, even though I’d seen him carrying a well-thumbed paperback of Raymond Carver stories, never a very good sign in a
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