more than slide his keys under the door after pulling it shut.
Chapter 5
Miles has a dog with bad dreams. When he’s home during the day he can hear Stump’s sleep-muffled barks from the end of the bed the two of them share, the three-alarm woo-woo-woomph! associated with visitor warnings. Then something turns for the worse, and the terror that the dog faces brings out unfamiliar barks of distress, each distinct from the rest, as though he refuses to believe this could actually be happening to him, a good boy whose only fault is lifting himself to table edges to clean the plates once the diners have left the room.
Their arrival saves him from one such nightmare—in-progress. Without even the faintest pause, the dog pads across the brown shag of the living room and begins licking Rachel’s face.
‘This is Stump?" Rachel asks, the dog lapping at her laughter.
‘That’s him.’
‘Why?’
‘Why what?’
‘Why Stump ?’
Miles has to think about this. It wasn’t because any part of the dog was missing. Instead, his name came from the way that, when Miles first spotted him from the side of the road, an abandoned pup sitting on his haunches in a clearcut of forest a few miles outside Teslin, he was nearly the same size and stood with the same square, unmovable silhouette as the levelled stumps of lodgepole pine and tamarack.
‘Stump!’ Miles had called to him when he pulled over in his truck, and the dog had understood that this was his new name and came trotting over to have his side thumped.
‘You’re a Stump,’ his master said again, simply, as though Miles had finally discovered another living thing that was as much a Stump as he was.
‘Because that’s his name,’ is all Miles tells Rachel now.
Miles thinks of Stump as the Mr Potato Head of dogs, his disproportionate features assembled with apparent malice, or perhaps humour. His nose as long as a ratter’s (though he fears holes of any kind, and requires some coaxing to warm Miles under the bedsheets on hungover mornings). Oversized ears that stand rigid atop his head in a kind of victory salute. Eyes as dark and bulbous as chocolate chips. For all of these handicaps, Stump made friends easily, a talent due in no small part to his indiscriminate distribution of kisses, the pink waterslide of his tongue reaching out forthe faces of all who know his name, scratch his silver goatee or simply bend within range. He is so generous with these compensations that some call him ‘handsome dog,’ although it is clear that handsomeness is about five crossbreedings removed from his present appearance. Still, he’s not without his prejudices. He has never liked Wade Fuerst, for example. This for obvious reasons, even to a mongrel simpleton like Stump.
‘Comfy,’ Alex says, running her fingers over the varnished log end tables and peering up at the oil painting of a wolf howling at a too-yellow moon over the wood stove.
‘I don’t need much,’ Miles says.
He leaves the door open behind him, but the air inside the cabin remains laden with a combination of uncirculated scents: the gamy moose steaks that Miles has been thawing and eating for his dinner four nights out of seven ever since Margot started dropping them off, the mildew of the hall bathroom that no amount of ammonia scrubbings could entirely get rid of. Now, with Rachel and Alex in the room with him, Miles smells the cabin as a visitor would, and he’s embarrassed by what it says about his life. The bachelor’s neglect. The sockfarty aura that likely follows wherever he goes.
Alex circles the room, stopping to pull back the curtains and looking out at the picnic table with beer bottles sprouting up around its legs like mushrooms, and beyond it, the wall of forest that borders the backyard and marks the end of RossRiver itself. She puts her cheek against the glass and looks both ways, but the cabin is far enough from the rest of town that no neighbours are visible. Even here, Alex thinks,
Lacy Danes
Susan McBride
Gina Buonaguro
M.P. McDonald
Ashley Shay
Keith Thomas Walker
Barry Ergang
Skye Michaels
Beverley Kendall
David Lynch