stiffly silent Le Boeuf, who was regarding Charles as though he were a column of kitchen expenses that refused to add up correctly. âAs the presence of two of our companions here should remind you,â Montville went on, âthe less gossip about your involvement with yet another death, the better.â
âBut,
mon père
,â Charles couldnât help saying, âIâd never seen the man before. Iâm hardly âinvolvedâ in his death. And it was almost certainly Père Dainville who found him first.â
âYes, yes, but there are those who wonât bother with that distinction. So remember the rectorâs caution, becauseââ Suddenly realizing that Charles was looking beyond him and no longer listening, Montville frowned and turned sharply.
The scholastic Richaud, who had crept close to Montville to overhear what he said to Charles, skittered backward. In the last several months, Richaud had taken to reporting Charles to the rector for fancied infractions of the rules. Now Charles watched with unconcealed satisfaction as Montville upbraided the other scholastic. But his satisfaction turned to wariness as Donat and Le Boeuf protested against Montvilleâs âunjust chastisingâ and took their martyred favorite up the stairs to breakfast.
âAnd there you have it, Maître du Luc,â Montville murmured, watching in disgust as the trio disappeared into the refectory. âThose three are the heart of at least half the college gossip. And too many of their rumors are aimed at you.â He eyed Charles. âIâm not the only one in authority here with hopes for your future. So heed the rectorâs warning. And mine.â Fetching a sigh from the depths of his formidable belly, he made his ponderous way out of the courtyard.
Charles let his breath go and looked around for Damiot. His appetite for breakfast was gone, but he knew that if he didnât eat, half an hour of classes on the church fathers would make him wish he had. Damiot was talking to another grammar professor, so Charles started toward the refectory door on his own. But Jouvancy suddenly appeared beside him. Charles expected Jouvancy to say more about the ballet, but he didnât.
âI saw all that,â he said soberly, glancing toward the refectory door. âDonât let those three worry you. Père Montville and our rector think very well of you. And you know that I do.â
âThatâs kind of you,
mon père
,â Charles said. âIâm grateful.â
âYou may not be, when youâve heard what else Iâm going to say to you.â They reached the top of the stairs and Jouvancy drew Charles aside. âIâll be as quick as I can. So listen. You have much talent, which leads you to put your nose where it neednât go. Or where others donât want to find it. OhâI know, I know, donât bother saying it. You donât mean to cause trouble. But you do cause it. And why? Because you are good at too many things. That is more often a curse than a blessing. One who is good at too many things tends to think he knows best.â
âI donât think that,â Charles said hotly. âI onlyââ
âYou âonlyâ think Iâm wrong. And that you are right.â
Charlesâs face burned and he held his tongue.
âIâm going to tell you a story about Père Dainville when he first came to the Novice House. No, I wasnât there, of course. But the story has been told to most of us older men. For our own good. Now itâs your turn. When Père Dainville entered the Society, he was not very amenable at first to obeying his superiors.â
Charles could easily believe that, remembering what Dainville had told him about his life before the Novice House.
âAfter a somewhat turbulent first year of his novitiate,â Jouvancy said, âour Père Dainville began to see the
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