pushing its way out of the trash pile, then rising to its feet with the creaky, inebriated uncertainty of an overgrown baby. Lilly glimpses movement out of the corner of her eye, and turns toward the biter.
A wiry African American corpse in his late twenties, maybe early thirties, with short cornrows crowning his skull, shuffles clumsily toward them like a drunken mime walking against imaginary wind, clawing at the air. He wears a tattered orange jumpsuit that has a familiar look to Lilly, but she can’t place it.
“I got this,” Lilly says to no one in particular as she pulls one of her Rugers.
The others notice the commotion and pause in their efforts, drawing their weapons, watching Lilly stand stone-still, steady as a milepost, aiming her front sight at the approaching corpse. A moment passes. Lilly stands as still as a statue. The others stare as Lilly finally, calmly, almost languidly, decides to pull the trigger, again and again, emptying the remaining six rounds in the magazine.
The gun claps and flashes, and the young black corpse does a jitterbug on the dock for a moment, exit wounds spewing atomized blood. The rounds chew through the hard shell of its cranium, shredding its cornrows and sending chunks of its prefrontal lobe and gray cerebrospinal fluid skyward. Lilly finishes and stares emotionlessly.
The biter doubles over and collapses to the dock in a blood-sodden heap.
Standing in a blue haze of her own gun smoke and cordite, Lilly mumbles something to herself. Nobody hears what she says. The others stare at her for a long moment until Austin finally comes over and says, “Good job, Annie Oakley.”
Martinez breaks the spell. “Okay … let’s get a move on, people! Before we draw more of ’em!”
They pile into the back of the truck. Lilly is the last one to climb in and find a spot amid the overloaded cargo bay. She sits on one of the propane tanks, and holds on to a side rail in order to brace herself against the g-forces, as the cab doors slam, and the engine grinds, and the truck suddenly roars away from the loading dock.
Lilly remembers right then—for some reason, the realization popping into her head as the truck pulls away—where she’s seen an orange jumpsuit like the one Cornrow was wearing. It’s a prison suit.
They get all the way across the lot, out the exit, and halfway down the access road before Barbara Stern breaks the silence. “Not a bad day’s work for a bunch of emotional cripples.”
The giggling starts with David Stern, then spreads among every passenger, until finally even Lilly is giggling with crazy, giddy relief and satisfaction.
* * *
By the time they make it back to the highway, each and every occupant of that dark, malodorous enclosure is buzzing with excitement.
“Can you imagine the look on the DeVries kids’ faces when they see all that grape juice?” Barbara Stern looks positively ebullient in her faded denim and wild gray tresses. “I thought they were gonna storm the castle when we ran out of Kool-Aid last week.”
“What about that Starbucks instant Via?” David chimes in. “I can’t wait to retire those goddamn coffee grounds to the compost pile.”
“We got all the food groups, too, didn’t we?!” Austin enthuses from his perch on a crate across from Lilly. “Sugar, caffeine, nicotine, and Dolly Madison cupcakes. Kids are gonna be on a sugar buzz for a month.”
Lilly smiles at the young man for the first time since they met. Austin returns her gaze with a wink, his long curls tossing around his handsome face from the slipstream currents coming through the flapping tarp.
Lilly glances out through the rear hatch and sees the deserted country road passing in a blur, the afternoon sun strobing pleasantly through the trees receding into the distance behind them. For just an instant, she feels like Woodbury might have a chance after all. With enough people like these folks—people who care about each other—they just might
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