the upset mind." Michael and Barbara sat on the front porch as the car drove up. Somehow a visit by Auntie Danser didn't bother them as much as it did me. They didn't fawn over her, but they accepted her without complainingeven out of adult earshot. That made me think more carefully about them. I decided I didn't love them any the less, but I couldn't trust them, either. The world was taking sides, and so far on my side, I was very lonely. I didn't count the two old people on my side, because I wasn't sure they werebut they came a lot closer than anybody in my family. Auntie Danser wanted to read Billy Graham books to us after dinner, but Dad snuck us out before Mom could gather us togetherall but Barbara, who stayed to listen. We watched the sunset from the loft of the old wood barn, then tried to catch the little birds that lived in the rafters. By dark and bedtime I was hungry, but not for food. I asked Dad if he'd tell me a story before bed. "You know your mom doesn't approve of all that fairy-tale stuff," he said. (39 of 197) "Then no fairy tales. Just a story." "I'm out of practice, son," he confided. He looked very sad. "Your mom says we should concentrate on things that are real and not waste our time with make-believe. Life's hard. I may have to sell the farm, you know, and work for that feed-mixer in Mitchell." I went to bed and felt like crying. A whole lot of my family had died that night, I didn't know exactly how, or why. But I was mad. I didn't go to school the next day. During the night I'd had a dream, which came so true and whole to me that I had to rush to the stand of cottonwoods and tell the old people. I took my lunch box and walked rapidly down the road. They weren't there. On a piece of wire bradded to the biggest tree they'd left a note on faded brown paper. It was in a strong feminine hand, sepia-inked, delicately scribed with what could have been a goose-quill pen. It said: "We're at the old Hauskopf farm. Come if you must." Not "Come if you can." I felt a twinge. The Hauskopf farm, abandoned fifteen years ago and never sold, was three miles farther down the road and left on a deep-rutted fork. It took me an hour to get there. The house still looked deserted. All the white paint was flaking, leaving dead grey wood. The windows stared. I walked up the porch steps and knocked on the heavy oak door. For a moment I thought no one was going to answer. Then I heard what sounded like a gust of wind, but inside the house, and the old woman opened the door. "Hello, boy," she said. "Come for more stories?" She invited me in. Wildflowers were growing along the baseboards, and tiny roses peered from the brambles that covered the walls. A quail led her train of inch-and-a-half fluffball chicks from under the stairs, into the living room. The floor was carpeted, but the flowers in the weave seemed more than patterns. I could stare down and keep picking out detail for minutes. "This way, boy," the woman said. She took my hand. Hers was smooth and warm, but I had the impression it was also hard as wood. A tree stood in the living room, growing out of the floor and sending its branches up to support the ceiling. Rabbits and quail and a lazy-looking brindle cat stared at me from tangles of roots. A wooden bench surrounded the base of the tree. On the side away from us, I heard someone breathing. The old man poked his head around and smiled at me, lifting his long pipe in greeting. "Hello, boy," he said. "The boy looks like he's ready to tell us a story, this time," the woman said. "Of course, Meg. Have a seat, boy. Cup of cider for you? Tea? Herb biscuit?" "Cider, please," I said. (40 of 197) The old man stood and went down the hall to the kitchen. He came back with a wooden tray and three steaming cups of mulled cider. The cinnamon tickled my nose as I sipped. "Now. What's your story?" "It's about two hawks," I said, and then hesitated. "Go on." "Brother hawks. Never did like each other. Fought for a strip of land
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