know from Cassiopeia, "You said your friend at the museum was an expert? Past tense?"
"He's dead."
And now he knew the source of her pain. "You were close?"
Cassiopeia did not answer.
"You could have told me," he said to her.
"No, I couldn't."
Her words stung.
"Suffice it to say," Thorvaldsen said, "that all this intrigue involves locating Alexander's body."
"Good luck. It's not been seen in fifteen hundred years."
"That's the catch," Cassiopeia coldly replied. "We might know where it is, and the man coming here to kill us doesn't."
Chapter FIFTEEN
SAMARKAND
12:20 P . M .
ZOVASTINA WATCHED THE STUDENTS' EAGER FACES AND ASKED the class, "How many of you have read Homer?"
Only a few hands raised.
"I was at university, just like you, when I first read his epic."
She'd come to the People's Center for Higher Learning for one of her many weekly appearances. She tried to schedule at least five. Opportunities for the press, and the people, to see and hear her. Once a poorly funded Russian institute, now the center was a respectable place of academic learning. She'd seen to that because the Greeks were right. An illiterate state leads to no state at all.
She read from the copy of the Iliad open before her.
"'The skin of the coward changes color all the time, he can't get a grip on himself, he can't sit still, he squats and rocks, shifting his weight from foot to foot, his heart racing, pounding inside the fellow's ribs, his teeth chattering. He dreads some grisly death. But the skin of a brave soldier never blanches. He's all control. Tense but no great fear.'"
The students seemed to enjoy her recitation.
"Homer's words from over twenty-eight hundred years ago. They still make perfect sense."
Cameras and microphones pointed her way from the back of the classroom. Being here reminded her of twenty-eight years ago. Northern Kazakhstan. Another classroom.
And her teacher.
"It's okay to cry," Sergej said to her.
The words had moved her. More so than she'd thought possible. She stared at the Ukrainian, who possessed a unique appreciation for the world.
"You're but nineteen," he said. "I remember when I first read Homer. It affected me, too."
"Achilles is such a tortured soul."
"We're all tortured souls, Irina."
She liked when he said her name. This man knew things she didn't. He understood things she'd yet to experience. She wanted to know those things. "I never knew my mother and father. I never knew any of my family."
"They're not important."
She was surprised. "How can you say that?"
He pointed to the book. "The lot of man is to suffer and die. What's gone is of no consequence."
For years she'd wondered why she seemed doomed to a life of loneliness. Friends were few, relationships nonexistent, life for her an endless challenge of wanting and lacking. Like Achilles.
"Irina, you'll come to know the joy of the challenge. Life is one challenge after another. One battle after another. Always, like Achilles, in pursuit of excellence."
"And what of failure?"
He shrugged. "The consequence of not succeeding. Remember what Homer said. Circumstances rule men, not men circumstances."
She thought of another line from the poem. "What chilling blows we suffer--thanks to our own conflicting wills--whenever we show these mortal men some kindness."
Her teacher nodded. "Never forget that."
"Such a story," she said to the class. "The Iliad. A war that raged for nine long years. Then, in its tenth, a quarrel led Achilles to stop fighting. A Greek hero, full of pride, a fighter whose humanity stemmed from great passion, invulnerable except for his heels."
She saw smiles on some faces.
"Everyone has a weakness," she said.
"What's yours, Minister?" one of the students asked.
She'd told them not to be bashful.
Questions were good.
"Why do you teach me these things?" she asked Sergej.
"To know your heritage is to understand it. Do you realize that you may well be a descendant of the Greeks?"
She gave him a perplexed
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