The Unquiet-CP-6
said, and heard my words echoed. The young woman and I had both spoken at precisely the same moment. She smiled at me, and I smiled back. I then did a rough calculation of the difference in our ages and decided that I should limit myself to smiling at people who were born before 1980.
    “Philistines,” said June.
    “What’s it supposed to be?” I asked her.
    “It’s an untitled abstract.”
    “Does that mean the artist doesn’t know what it is either?”
    “Possibly,” June conceded.
    “Back to Daniel Clay. You said that the people who collected his work probably knew him. Any idea who some of those people might be?”
    She walked over to the corner and absentmindedly scratched her dog behind the ear. The dog barked at me again, just to disabuse me of any notions I might have had about joining in.
    “Joel Harmon is one.”
    “The banker?”
    “Yes. Do you know him?”
    “I know of him,” I said.
    Joel Harmon was the retired president of IBP, the Investment Bank of Portland. He was one of those credited with rejuvenating the Old Port during the eighties, and his picture still appeared in newspapers whenever the city threw a celebration of something or other, usually with his wife on one arm and a crowd of slavering admirers surrounding them, all aroused by the lingering smell of fresh dollar bills. His popularity could fairly be ascribed to his wealth, his power, and the attraction those two elements generally arouse in those with significantly less of either. It was whispered that he had an “eye for the ladies,” even though his looks came pretty far down on the list of his attributes, probably somewhere between “can carry a tune” and “cooks spaghetti.” I’d seen him around, but we’d never been introduced.
    “He and Daniel Clay were friends. I believe they might have met at college. I know that Joel bought a couple of Clay’s paintings after he died, and was given others as gifts during his lifetime. I suppose he passed Clay’s test of suitability. Clay was very particular about those to whom he sold or gave his work. I can’t imagine why.”
    “You really didn’t like his paintings, did you?”
    “Or him, I guess. He made me uneasy. There was something peculiarly joyless about him. Joel Harmon is having a dinner party in his house later this week, by the way. They’re a pretty regular occurrence, and I have a standing invitation anytime I wish to attend. I’ve put some interesting artists his way. He’s a good customer.”
    “Are you asking me to be your date?”
    “No, I’m offering to be yours.”
    “I’m flattered.”
    “You should be. Perhaps you’ll get to see some of Clay’s paintings. Just try not to offend Joel too grievously, there’s a dear. I have bills to pay.”
    I assured June that I would be on my best behavior. She didn’t look impressed. Chapter IV
    I drove back to Scarborough and dumped the Saturn, instantly feeling ten years younger in the Mustang, or at least ten years less mature, which wasn’t the same thing at all. I called Rebecca Clay to confirm that she was still planning to leave at the agreed time, then asked her to get someone to walk her to her car. She was due to look at a vacant storefront on Longfellow Square, so I waited for her in the parking lot behind Joe’s Smoke Shop. There were fifteen or sixteen cars parked there, none of them occupied. I found a space that allowed me a view of Congress and the square, bought a grilled chicken sandwich with green peppers at Joe’s sandwich counter, then ate in the car while I waited for Rebecca Clay to arrive. A couple of homeless guys with shopping carts stood smoking in the alley beside the lot. Neither of them matched the description of the man who was following Rebecca.
    She called me when she was passing the bus depot at St. John, and I told her to park in front of the building she was visiting. The woman who was trying to rent the first-floor space was waiting outside for her when she arrived.

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