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Authors: Billy Collins
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eISBN: 978-0-307-43271-1
Library of Congress Cataloging-in-Publication Data
Collins, Billy.
The trouble with poetry: and other poems / Billy Collins.
p. cm.
I. Title: Trouble with poetry. II. Title.
PS3553.O47478T76 2005
811′.54—dc22 2005046562
v3.1
To my students and my teachers
My idea of paradise is a perfect automobile
going thirty miles an hour on a smooth road
to a twelfth-century cathedral.
—HENRY JAMES
A Note to the Reader About this Poetry eBook
The way a poem looks on the page is a vital aspect of its being. The length of its lines and the poet’s use of stanza breaks give the poem a physical shape, which guides our reading of the poem and distinguishes it from prose.
With an eBook, this distinct shape may be altered if you choose to take advantage of one of the functions of your eReader by changing the size of the type for greater legibility. Doing this may cause the poem to have line breaks not intended by the poet. To preserve the physical integrity of the poem, we have formatted the eBook so that any words that get bumped down to a new line in the poem will be noticeably indented. This way, you can still appreciate the poem’s original shape regardless of your choice of type size.
You, Reader
I wonder how you are going to feel
when you find out
that I wrote this instead of you,
that it was I who got up early
to sit in the kitchen
and mention with a pen
the rain-soaked windows,
the ivy wallpaper,
and the goldfish circling in its bowl.
Go ahead and turn aside,
bite your lip and tear out the page,
but, listen—it was just a matter of time
before one of us happened
to notice the unlit candles
and the clock humming on the wall.
Plus, nothing happened that morning—
a song on the radio,
a car whistling along the road outside—
and I was only thinking
about the shakers of salt and pepper
that were standing side by side on a place mat.
I wondered if they had become friends
after all these years
or if they were still strangers to one another
like you and I
who manage to be known and unknown
to each other at the same time—
me at this table with a bowl of pears,
you leaning in a doorway somewhere
near some blue hydrangeas, reading this.
ONE
Monday
The birds are in their trees,
the toast is in the toaster,
and the poets are at their windows.
They are at their windows
in every section of the tangerine of earth—
the Chinese poets looking up at the moon,
the American poets gazing out
at the pink and blue ribbons of sunrise.
The clerks are at their desks,
the miners are down in their mines,
and the poets are looking out their windows
maybe with a cigarette, a cup of tea,
and maybe a flannel shirt or bathrobe is involved.
The proofreaders are playing the ping-pong
game of proofreading,
glancing back and forth from page to page,
the chefs are dicing celery and potatoes,
and the poets are at their windows
because it is their job for which
they are paid nothing every Friday afternoon.
Which window it hardly seems to matter
though many have a favorite,
for there is always something to see—
a bird grasping a thin branch,
the headlights of a taxi rounding a corner,
those two boys in wool caps angling across the street.
The fishermen bob in their boats,
the linemen climb their round poles,
the barbers wait by their mirrors and chairs,
and the poets continue to stare
at the cracked birdbath or a limb knocked down by the wind.
By now, it should go without saying
that what the oven is to the baker
and the berry-stained blouse to the dry cleaner,
so the window is to the poet.
Just think—
before the invention of the window,
the poets would have had to put on a jacket
and a winter hat to go outside
or remain indoors with only a wall to stare at.
And when I say a wall,
I do not mean a wall with striped wallpaper
and a sketch of a cow in a frame.
I mean a cold wall of fieldstones,
the wall of the medieval
eISBN: 978-0-307-43271-1
Library of Congress Cataloging-in-Publication Data
Collins, Billy.
The trouble with poetry: and other poems / Billy Collins.
p. cm.
I. Title: Trouble with poetry. II. Title.
PS3553.O47478T76 2005
811′.54—dc22 2005046562
v3.1
To my students and my teachers
My idea of paradise is a perfect automobile
going thirty miles an hour on a smooth road
to a twelfth-century cathedral.
—HENRY JAMES
A Note to the Reader About this Poetry eBook
The way a poem looks on the page is a vital aspect of its being. The length of its lines and the poet’s use of stanza breaks give the poem a physical shape, which guides our reading of the poem and distinguishes it from prose.
With an eBook, this distinct shape may be altered if you choose to take advantage of one of the functions of your eReader by changing the size of the type for greater legibility. Doing this may cause the poem to have line breaks not intended by the poet. To preserve the physical integrity of the poem, we have formatted the eBook so that any words that get bumped down to a new line in the poem will be noticeably indented. This way, you can still appreciate the poem’s original shape regardless of your choice of type size.
You, Reader
I wonder how you are going to feel
when you find out
that I wrote this instead of you,
that it was I who got up early
to sit in the kitchen
and mention with a pen
the rain-soaked windows,
the ivy wallpaper,
and the goldfish circling in its bowl.
Go ahead and turn aside,
bite your lip and tear out the page,
but, listen—it was just a matter of time
before one of us happened
to notice the unlit candles
and the clock humming on the wall.
Plus, nothing happened that morning—
a song on the radio,
a car whistling along the road outside—
and I was only thinking
about the shakers of salt and pepper
that were standing side by side on a place mat.
I wondered if they had become friends
after all these years
or if they were still strangers to one another
like you and I
who manage to be known and unknown
to each other at the same time—
me at this table with a bowl of pears,
you leaning in a doorway somewhere
near some blue hydrangeas, reading this.
ONE
Monday
The birds are in their trees,
the toast is in the toaster,
and the poets are at their windows.
They are at their windows
in every section of the tangerine of earth—
the Chinese poets looking up at the moon,
the American poets gazing out
at the pink and blue ribbons of sunrise.
The clerks are at their desks,
the miners are down in their mines,
and the poets are looking out their windows
maybe with a cigarette, a cup of tea,
and maybe a flannel shirt or bathrobe is involved.
The proofreaders are playing the ping-pong
game of proofreading,
glancing back and forth from page to page,
the chefs are dicing celery and potatoes,
and the poets are at their windows
because it is their job for which
they are paid nothing every Friday afternoon.
Which window it hardly seems to matter
though many have a favorite,
for there is always something to see—
a bird grasping a thin branch,
the headlights of a taxi rounding a corner,
those two boys in wool caps angling across the street.
The fishermen bob in their boats,
the linemen climb their round poles,
the barbers wait by their mirrors and chairs,
and the poets continue to stare
at the cracked birdbath or a limb knocked down by the wind.
By now, it should go without saying
that what the oven is to the baker
and the berry-stained blouse to the dry cleaner,
so the window is to the poet.
Just think—
before the invention of the window,
the poets would have had to put on a jacket
and a winter hat to go outside
or remain indoors with only a wall to stare at.
And when I say a wall,
I do not mean a wall with striped wallpaper
and a sketch of a cow in a frame.
I mean a cold wall of fieldstones,
the wall of the medieval
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