The Tin Ticket: The Heroic Journey of Australia's Convict Women
fairgrounds. “Tumblers performed miraculous feats of gymnastics, bears danced, jugglers juggled and clowns wandered about with fixed smiles painted on tired faces, among pressing crowds of eager urchins, grown-ups and the young men and women-about [ sic ] town.” 6 Before the annual celebration began, the wealthy left town and headed “doun the watter” to summer resorts along the Clyde, deftly avoiding this lower-class festival.
    Agnes, Janet, and Helen had been around long enough to know how to sneak into one of the tented shows or beg coins from the older gents leisurely smoking clay pipes. A crowd of thousands from both the city and the countryside pushed and shoved to gain a closer look at conjurers, Punch and Judy puppets, sword swallowers, and fire eaters. The boisterous festivities offered prime pickings for thieves and pickpockets, with hundreds of stalls to be stalked, watches to be stolen, and handkerchiefs to be snatched.
    For a ballad singer of any age, it was peak musical season. Agnes had been born with the talent and desire to perform, and her singing often kept her out of trouble. Listening to the competition, she’d be able to pick up a few new songs and expand her repertoire. At the festival, she could get away with wearing a floppy felt hat that covered her convict hair. Laborers came to the fair ready to spend a bit on entertainment and cheerfully pressed a coin into the hand of a pretty grey-eyed girl who belted out favorite tunes like “Rob Roy,” “The Maid Freed from the Gallows,” “Glasgow Peggie,” and “My ’Art’s in the ’ighlands.” There was also a popular ballad about the fair:
    Glasgow fair on the banks of the Clyde,
That pure winding stream of the City,
Where all sorts of fun doth preside.
Which help to arouse up my ditty;
Large Booths are arrang’d to the eye.
There’s Horsemanship, Theatres, and Tumbling;
With all sorts of games to rely.
Where losers are always a Grumbling. 7
    A ten-year-old boy whose family owned a grocery store next to the fairgrounds described what he saw in a book he later published: “the Savages from Africa, the Armless Lady from Newfoundland who could sew and cut watch-papers using her toes, the Fire-Proof Lady who pranced about on a hot iron, the Hercules who could bear tons of weight on his body and toss immense weights around like balls of wool, the Smallest Married Man in the World and sundry pairings of giants and dwarves.” 8
    All was not as exotic as it appeared. The street-savvy Goosedubbs girls soon figured out that the native African tribesmen were actually Irish laborers paid to dance in rabbit skins and feathers, but it didn’t matter. Children of the street grew comfortable with illusions that allowed them to view the world through rose-colored glasses every now and again. During this week of fantasy, they collected enough tall tales and adventures to last through the wintry weather, when laughter alone soothed the chill in their bones and the pangs in their stomachs.
    Agnes, Janet, and Helen each managed to avoid arrest through the remainder of the year and into the winter, but it was getting harder and harder to get by in Glasgow. Agnes’s voice was beginning to change, too, and she hadn’t quite figured out how to stay in tune. She and her two mates decided on a fresh start. Shortly after Hogmanay, the trio would head south toward Kilmarnock.
    The Castles of Kilmarnock
    Before sunrise on Monday, January 25, 1836, Agnes cinched her boots tight, tucked the laces inside her droopy socks, and walked purposefully through the neighborhood where she was born. The days were short and the sun set early, but today it wasn’t snowing or spitting sleet, and it was high time she got out of town. She had become too well known on these sinful streets, more for her nimble fingers than her lilting ballads. With each passing hour, her means for survival were diminishing.
    As a wean, Agnes remembered her mother reminiscing about a

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