gift to me of a watch was not wholly surprising. The place it would fill in my life had longsince been primed. Could a boy that age receive a watch and not wonder what made it tickâespecially a boy who spent his entire childhood in a house with a grandfather clock that to all intents and purposes had cast a spell over its surroundings? Up until that point, I had seen only the exteriors of timepieces, fearing I would be scolded if I looked inside. I would only observe them, taking pleasure in their presence. But my uncleâs gift sparked my desire to know timepieces more intimately, to plumb their depths. The first day I held it in my hand, my intellectual plane was elevated tenfold. And from that moment, I was plagued by questions: Whither? Whence? And how?
Need I say that only a few weeks after I received my uncleâs gift, it had become nothing but a mass of twisted and jagged bits of shiny and rusty metal, and no longer served any purpose at all? The experience revealed two things to me: my overwhelming desire to take apart and understand every watch and clock I came across, and my total indifference to the rest of the world.
I had to repeat a year at school because of that watch, and the same happened the following year, when I found another very old watch on the way to school. By the end of my third year, I was able to begin my second year of college, both because the administration took pity on my father and because the entire school and neighborhood supported my cause. But I had lost all desire to study. And so I began to spend most of my time at Nuri Efendiâs time-setting workshop. Strange how my truancy had a positive effect on my school life: As my teachers saw less of me, they saw fewer of my flaws. So I never again had to repeat a year at college. I became one of those dim students left to God. For the rest of my life, I was greeted with short, dismissive nods and pitying smiles or the sniggers and grins of the less polite.
V
In Nuri Efendiâs workshop, where I passed my days, there was no room for nods, insinuating smiles, or laughter. There were only watches and clocks: elaborate table clocks ticked on everywindowsill; grandfather clocks lined up against the walls like the very guardians of time; a suspended clock dangled over the masterâs divan, just to its right; and in every corner of the roomâscattered along the windowsills, strewn over the divans, and on every little shelfâpiles upon piles of watches and clocks waited to be repaired, some half-finished, some still in pieces, others entirely bare, and some with only their cases removed. Nuri Efendi busied himself with these throughout the day, and when his eyes grew tired, he would lean back on his divan and cry, âA coffee!â Resting for a spell in the little stone room, listening to the din of ticking clocks, he would dream of all the clocks in the world he had not yet seen and might never seeâthe clocks whose hands he would never touch and whose voices he would never hear.
When I first became acquainted with Nuri Efendi, he was already in his late fifties, of average height, thin, shriveled, but robust. He told me heâd never once fallen ill, never once suffered so much as a toothache, and that he attributed this to his Thracian roots. âMy father was a wrestler, and I too did my share of wrestling when I was young,â he explained as he flexed his powerful biceps, a true sight to behold in a man so frail. When he was angry, or simply in a sour mood, he would throw his arms around one of the gigantic stones in the courtyard of the mosqueâleft over from an old restoration projectâand heave it around the grounds.
With large chestnut-colored eyes, an elongated square face, and a straggly white beard, he had an unearthly look. His was the gentle gaze of a man who could do nothing but good. There was something to him of the old man in a fairy tale who appears out of nowhere to give you
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