Here was
the Power Ranger whose arm had come off
when Elizabeth stepped on it, Tobyâs cry of
grief heartbreaking to both of them. Theyâd
comforted him, given him a chocolate bar,
and Ray had promised to fix it, but never
had. Here was the self-propelling car whose
mechanism had become jammed, and Toby
had cried because it no longer moved on its
own.
Itâs dead
, heâd said, and Ray had not fixed
that one, either.
On the side of the wardrobe, which still
held many of Tobyâs little clothes, was a
self-portrait heâd painted in school when he
was five years old. It was the usual childish
splodge of paint; big round pink head, bright
blue eyes, smiling mouth with â much to Rayâs
and Elizabethâs amusement at the time â two
long vampirish teeth. Since heâd gone, Ray
had not been able to look at it without crying.
It was something more than a photograph,
evidence of Tobyâs mind working, his hands
moving, and a sign of the self-awareness heâd
barely had time to explore. But now he looked
at it and smiled, and his dead son smiled back.
At least heâd had a chance. At least heâd spent
some years on this planet, instead of no years
at all. Heâd known laughter and joy, and he
had been loved.
Ray gathered some toys to him and rested
back on the bed, looking around the room with
new eyes and finding in himself an ability to
celebrate â instead of only mourn â Tobyâs
life.
âElizabeth,â he said. Something about his
estranged wifeâs name had changed. It held
more meaning than it did yesterday, when it
had simply been the first name of the woman
whoâd left him. Today it was Tobyâs mother,
part of this room, these toys, and part of Tobyâs
mind when heâd picked up the fat paintbrush
and painted himself as he believed his mother
and father saw him. âElizabeth,â Ray said
again. And he knew he had to talk to her.
His walk through the village was alive with
memories, and Ray wondered whether in his
grief heâd been burying them so deep that they
were as good as forgotten. They came to the
fore now, bright sunlit moments of pushing
Tobyâs
pram,
guiding
him
on
unsteady,
unlearned legs, and chasing after him when
he progressed from toddler to little boy. The
most obscure, meaningless recollections hit
home, and Ray realized that no moment is
meaningless. His sonâs smile over his shoulder
as he entered the local post office holding his
motherâs hand, skipping along the curbside
with one foot on pavement and one on road,
kneeling down with bread in his hand and a
robin hopping cautiously closer, closer . . .
each of these images was precious, because
they were evidence of his sonâs life. Toby was
gone now, but memories could be as rich
and as meaningful as experience. After all,
every instant that passed â every step Ray
took, every beat of his heart â was instantly
consigned to memory.
He passed the bakery and paused to look
inside, but he could not see Rachel. Perhaps on
the way back heâd call in to see her, after heâd
spoken with Elizabeth and . . .
âWhat am I going to say?â he whispered,
walking on past the bakery and staring at
the ground before him. He couldnât tell the
truth. That heâd met an old man on the cliffs,
and that the old man was fixing Tobyâs toys
and somehow easing Rayâs grief. That was
ridiculous. The very idea lessened their loss,
but much as Ray dwelled on the reality of what
was happening as he walked, he could not
change the way he felt. Something was lifting
from him.
He
worked
his
way
through
the
winding
streets and onto the road that curved out of
the village. Heâd decide what to say when he
got there. Planning these things would never
work, and heâd have to trust himself. They had
such a history, so much love between them, and
heâd always thought of their relationship as
something that had paused
Charles Hayes
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