The Taking

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Authors: Dean Koontz
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fantasy gripped her. She would make hot tea and serve it in a mug. Oolong, with its distinctive fragrance, grown in the distant Wu-I Mountains of China.
        She would drink it in the cozy parlor, eating butter cookies. Warmed by an afghan. Reading a love story of eternal passion and timeless suffering.
        When she turned the last tear-stained page, the rain would have stopped. The morning would have come. The future would no longer be bleak and impenetrable, would instead be revealed by an invisible light too bright for mortal eyes.
        But she did not open the passenger door and pursue that fantasy of tea and cookies and easy happy endings. Dared not.
        Neil popped the brake, shifted into reverse, and backed out of the garage, into the windless storm. The rain fell straight down with such judgmental force that the Explorer seemed to quiver in every joint, to strain at every weld, from the impact.
        Less out of concern for their property than in consideration of the frightened mice, Molly pressed the remote and closed the garage door.
        In the headlights, the formerly muted fluorescence of the rain brightened, seething with scintillating reflections.
        The cedar siding of the house, quaintly silvered by time, was more brightly silvered by the luminous wet. Along the roof line, from long lengths of overflowing rain gutters spilled shimmering sheets that veiled whole aspects of the structure.
        Neil turned the Explorer around and drove uphill toward the two-lane county road. The ascending driveway funneled a descending stream through which slithered great swarms of false serpents, more sinuous luminosities.
        When the SUV reached the top of the driveway, Molly peered back and down, through the rush of rain and the steadfast trees. All lights aglow, their house looked welcoming-and forever beyond reach. The shortest route into town was south on the county road.
        The two-lane blacktop remained passable because it followed the ridge crest around the lake, shedding rain from both shoulders. Here and there the pavement was mantled with a thick slippery mush of dead pine needles beaten from the overhanging trees by the storm, but the SUV had all the traction needed to proceed unimpeded.
        Even at high speed, the windshield wipers couldn't cope with the downpour. Sluicing rain blurred their view. Neil drove slowly and with caution.
        To the east, the forest-portions burned out in the previous autumn's fire-descended toward treeless but grassy hills, which in turn gave way to more-arid land and eventually to the Mojave. Only a few houses had been built in that territory.
        On the west face of the ridge, residences were numerous, though widely separated. The nearest neighbors to the south were Jose and Serena Sanchez, who had two children, Danny and Joey, and a dog named Semper Fidelis.
        Neil turned right at their mailbox and halted at the top of the driveway, headlights focused on the house below.
        "Wake them?" he wondered.
        An indefinable quality of the house, something other than the lack of lights, troubled Molly.
        If the Sanchez family had been home, surely the unprecedented power of this rain would have awakened them. Curiosity stirred, they would have risen from bed, turned on the TV, and thereby discovered the fate of the world.
        Molly recognized the monotonous drone of the rain as the voice of Death, and now it seemed to speak to her not from the heavens but from the house at the foot of the driveway.
        "They're gone," she said.
        "Gone where?"
        "Or dead."
        "Not them," Neil hoped. "Not Jose, Serena… not the boys."
        Molly was a mystic only to the extent that she was a writer, not to the extent that she suffered visions or premonitions. Yet she spoke with the certainty of unwanted intuition: "Dead. All dead."
        The house blurred, clarified, blurred, clarified.

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