suppose you would regard as typecasting,â suggested Jude slyly.
Although she had intended the remark as satirical, Ritchie took it at face value. âYes, very definitely.â
âAnd whoâs playing Anderson?â
âOh, Iâve forgotten the guyâs name, but heâs perfectly adequate.â Perhaps, thought Jude, the perfect example of damning with faint praise.
âAnd is Neville Prideaux in the production?â
âYes, heâs playing General Burgoyne. Only appears in Act Three. Rather a showy part, suits Neville down to the ground.â Clearly no opportunity was going to be missed to have a dig at his rival.
There was a silence. Then Jude, never one to beat about the bush, said, âIâm still not clear why you wanted to meet me.â
âI told you. You made an instant impression on me. I couldnât not see you again.â
The delivery was as polished as the lines, but once again Jude found them unconvincing. âAnd after this meeting, what then â¦?â
âI hope itâs the first of many.â Jude rather doubted whether it would be. âWhy is it,â he protested, âthat people round here are so hidebound? You meet someone you really click with ⦠and what do you do about it? For most people â nothing. Well, I donât subscribe to that approach. If I meet someone who makes a big impression on me, I want to see more of them, want to get to know them, want to find out whether theyâre feeling a little bit of what Iâm feeling â¦?â
To someone less full of himself, Jude would have been gentler, but she had no problem saying to Ritchie Good, âWell, Iâm afraid I donât feel anything for you.â
âOh.â He was clearly taken aback; her reaction was perhaps not one he frequently encountered.
âI mean, I can see youâre attractive â¦â
âThank you.â
â⦠and your conversationâs quite entertaining â¦â
He nodded his gratitude.
â⦠but I canât imagine being in a relationship with you.â
âWhy not?â
âI quite like one-to-one relationships.â
âSo?â
âWell, I canât see you being very good at concentrating solely on one woman.â
âTry me.â
âNo, thanks.â Jude turned the full beam of her brown eyes on him. âAre you married?â
âWell, yes, but the marriage hasââ
âOh, donât tell me. Which expression were you going to use, Ritchie? âThe marriage has been dead for yearsâ? âItâs only a marriage in name these daysâ? âWeâre more like brother and sister than husband and wifeâ?â
He looked very disgruntled. âYouâve got a nasty cynical streak, Jude.â
âNot normally. Only when I encounter someone who prompts cynicism.â
There was a silence. Then Ritchie asked, âIs it only now you know Iâm married that youâve become cynical about me?â
âNo, I was cynical about you before that. Mind you, I assumed you were married all along.â
âWhy?â
âYour type always are.â
âHm,â said Ritchie Good, and it was the âHmâ of a man about to cut his losses. He looked at his watch, swallowed down the remains of his shandy and announced, âIâd better be off to rehearsal.â
âRight. Oh, one thing â¦â said Jude as he rose from the table.
âYes?â
âWhere did you get my phone number from?â It was in the directory, but very few people knew under which of her former husbandsâ surnames it appeared.
âStorm Lavelle gave it to me,â replied Ritchie. And Jude reckoned it was one of the few things heâd said during their encounter that was true.
He hovered for a moment, wanting perhaps to place a farewell kiss on her cheek but unwilling to bend down into the alcove where she
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