movies.â
âJesus, vampires now?â
âActors being intuitive, thatâs what an archetype is!â he said. âPlease, just answer me.â
Anita frowned, struggled to focus. âIn the park, I guessâÂColumbus Park, in Chinatown,â she said. âWeekend tai chi. It looks a little like that.â
âIn what way?â
âFloating hands. You move until they feel like theyâre separate from the body, carryingââ Anita stopped as she realized what she was saying.
âCarrying what?â
âAll the energy of your body,â she said. âAs if your body and arms no longer exist.â
Ben nodded. That, like what Madame Langlois was doing, could well be part of the common human experience. It was the same with language: the elements that show up over and over separate valid experience from affectation and trickery, like the need to shout an oath, not just cry out, after hitting your finger with a hammer. These are buried in the human condition though no one knows why or by what mechanism.
Perhaps they were rooted in Galderkhaan.
Ben pushed aside the womanâs obduracy, watched her with fresh eyes. Madame Langloisâs shaking subsided; she was slipping into some kind of relaxed trance yet the hand itself seemed to be floating, like a cork in water, the fingers moving in unison as if guided by an outside source. He saw the shadow they cast on the area rug but suddenly noticed the angle of the shadow relative to the fingers was increasing, somehow. It was as if the shadow were hooked like one of the curves on Madame Langloisâs skirt, the base of the finger pointing straight ahead, the tip crooked toward one of the rooms.
Toward Jacobâs room.
Anita noticed it too. âBen!â she said in a loud, insistent whisper. âI donât care about the academic value of this. Youâve got to stop it.â The shadow grew longer and Anitaâs breathing came faster.
âEnok, tell me whatâs happening or we must intervene,â Ben said.
âStop her and the snake will move freely among us,â the man warned stoically.
âWhat?â
âWe do not want that, I think,â Enok said quietly.
âHow do you know that will happen?â Ben demanded.
âI have seen it,â he replied. There was respect for the process in his voice, if not in his expression.
Either Enok was correct or Anita and Ben were sharing a delusion. The shadow began to wriggle though Madame Langloisâs fingers remained steady. It was not Benâs imagination, it was not a hallucination, and from Anitaâs frightened expression, she was realizing that as well. The darkness of the serpentine shadow seemed to deepen, obscuring what was beneath it, as they watched it crawl along the rug. And there was something else within it: what looked to Ben like glitter, only it was something transitory. There were tiny facets that appeared and reappeared in roughly the same places, the same relationship one to the other as the shadow moved.
With a back-and-forth motion, the head of the serpent pulled therest of the body toward the hallway, to where Anita had solidly placed herself.
âGet it away,â she warned, choking on the sentence as she spread her arms and legs.
âIt will not hurt you,â Enok said.
âItâs not me Iâm worried about,â Anita said, her eyes fastened on the shape.
âIt will hurt no one,â he insisted.
âHow do you know?â Ben asked.
âThat is not its way,â Enok replied.
âMore double-talk,â Anita said. âIf you donât make her stop, I will!â
âLet it play out a little longer,â Ben said. âWe can always take Jacob and go.â
âCan we?â she asked.
âItâs not solid, Anita,â Ben pointed out. âIt doesnât appear to be noxious.â
âIt looks radioactive!â she said.
âThatâs
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