the hearth rug, and tried to pull together what she knew. Or at least, what she thought she knew. Her flashbacksâor waking nightmares as she had come to think of themâof the moment of Matâs death are not new. She has been having them for over a year now. But recently they do seem to be more vivid, more horribly, cruelly real in every heartbreaking detail. And then there are the electrics in the cottage. Bob found nothing wrong, yet the fuse box continues to trip out so frequently that Tilda has given up resetting the thing. She and the dog muddle along without electric light or the computer or any other plug-in appliances. The solid fuel range in the kitchen means she can continue to boil a kettle or cook the few food items she has left. And it heats the water to lukewarm, too. The open fire in the sitting room stops the house from becoming uncomfortably cold, even if upstairs is getting increasingly bleak as the temperature outside drops. Tilda is certain that it was her own proximity to the professorâs clock that caused it to stop, so she cannot pretend that the wiring at the cottage is faulty. It makes no real sense, but the fact is, she is the common factor in both cases.
Sitting next to Thistle, gazing into the flames, Tilda had tried to recall what she had seenâor thought she had seenâat the lake. Three people in a boat. Two men, one woman, rowing for the shore. Dressed outlandishly. Or rather, outdatedly.
By several hundred years.
And the farside of the lake utterly changed. No caf é , no boathouse, no sailing club. No buildings that made any sense. Just a collection of huts. As if everything had been washed away by the mist and replaced by another land entirely. The most obvious cause for what she had seen, Tilda had decided as she drained her wine, was that grief had finally unhinged her. She was losing her flimsy hold on her own sanity. It was not a conclusion that brought her any comfort. And the only way she could think of to disprove it, to come up with something, anything else, was to go to the north shore and reassure herself that everything was still there, still as it should be, in all its slightly tacky, hot dog and paddleboat normality. That her hallucination, if such it was, amounted to nothing more than the febrile workings of a troubled mind. Her grief counselor, all those months ago, had advised her to accept her flashbacks as a part of the grieving process. Was this latest vision simply more of the same?
So here she is, duffle-coated against the late autumn chill, woolly hat pulled low, her pale plait tucked into her collar and Thistle walking a little stiffly at her side on the end of an old leather belt that stands in for a lead. Although it is late in the year, it is the weekend, and plenty of people have taken the opportunity to come down to the lake. The little car park is nearly full, and the bicycle racks bristle with mountain bikes and racers, their riders sitting nearby to eat their lunches, or wandering closer to the shore to view the lake. There is a family of swans being fed by some walkers, their cygnets grown large but still sporting some of their grubby brown feathers. Pushy mallards waddle onto the small tarmac quay in the hope of sandwich crusts or maybe the stub of an ice-cream cone. A harassed woman shepherds her own brood of young children away from the waterâs edge, luring them toward the caf é with the promise of hot dogs. A party of teenage canoeists busy themselves unloading their boats from a trailer.
All perfectly normal. Solid people. Real buildings. Of course.
Tilda walks past the concrete boat launch and follows the path to the recently constructed crannog center. Unlike its ancient namesake, this little thatched building is a modest single-story room, with glassless windows set into its curved walls, constructed to give people better views of the lake. Like the original crannog, it is reached via a wooden walkway, the whole
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